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David Poland

By David Poland poland@moviecitynews.com

Will Smith and Jada Pinkett

My favorite Hollywood couple has gone ahead an killed the wabbit. Jada Pinkett will be doing the heavy lifting and Will Smith will be handing out cigars for the next seven or eight months before the birth of a bouncing baby. News of their impending nuptials took Hollywood by surprise November 13th, as the couple has made their feeling that paperwork was a low priority in their personal bliss well known. So, it’s no surprise that they found their motivation when the tab turned pink. Or was that blue?
In other mating news, New York’s tabloids are reporting that Val Kilmer is sniffing around Mira Sorvino as they shoot their new project, Sight Unseen. It’s about a man (Kilmer) whose world changes when his sight is restored after being blind his entire life. Mira is the love interest. Hmmm, a woman who’s deciding between Quentin Tarantino and Val Kilmer. And he’s the character that was previously blind? Maybe Mira is just trying to make Paulie a grandparent. The last co-star to reportedly do the Winnebago Mambo with Val, the married Elizabeth Shue, got preggers shortly after finishing The Saint. And before that, it was Bat-rumors about Nicole Kidman, who shortly thereafter got a baby delivered Fed Ex. Wouldn’t a baby Tarantino be fun? “You think I’m full of s***? You must think so, cause you’re changing my diaper!”
TriStar has picked up Providence from 21-year-old writer Josh Schwartz. The film is described by The Hollywood Reporter as “the story of two high schoolers who fall in love during their senior year but tragically realize that they are going to part when they leave for different colleges.” Other hot new and original projects soon expected to hit the studios: From 73-year-old Jack Wacky, Relief, the story of two seniors who discover bran and tragically realize they are out of toilet paper. From 44-year-old Gina Fallone, Bankrupt, the story of a couple who have to pay for their children’s college education and tragically realize that it’s really expensive. And finally, Worthless, the story of studio executives who tragically realize they’ve run out of good ideas.
This week, Box Office Preview will run on Wednesday due to the long weekend. So e-mail your predictions to me early so I can have some crow to go with my turkey on Thanksgiving night.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon