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David Poland

By David Poland

Robert Downey Jr. is Headed to Jail for Six Months

Nothing is sadder than watching someone who has it all throwing it away.
Sources inside the Scorsese camp say that despite taking a public position that it wouldn’t allow the Chinese to influence its release of Kundun, Disney is planning on pulling the film after four weeks and not spending much in its Oscar promotion. Of course, it’s possible that the studio just isn’t enthusiastic about the film. People angered by the lack of a distributor for the new Lolita tend to blame the sexual politics and forget that R-rated sex-themed films don’t do much box office.
Speed Racer is back on track at Warner Bros. with Alfonso Cuaron, who has the current-day version of Great Expectations on tap, at the helm. The expectations aren’t that great, with budget cutting becoming the primary factor in generating a green light on the film. So much for the CG Chim Chim.
Tori Spelling continues to warp reality. In Scream 2, she appears as the butt of a joke from the original film (Neve Campbell‘s Sydney jokes that Tori would play her in the movie — and in this one, she does) and now she plays a college student who’s kidnapped by mistake. The bad guys were looking for the daughter of a millionaire and they get a chemically unstable Tori.
George Clooney has left the West. The Wild Wild West. The project, which stars Will Smith as the heroic Jim West just wasn’t fitting Clooney’s image of himself as Artemus Gordon. Or something like that. All I know is that Clooney, Smith and director Barry Sonnenfeld are some of the easiest-going people in Hollywood, at least interpersonally. Something really interesting must have happened. But more importantly, who will play the evil little person, Dr. Miguelito Loveless?
Don’t forget, I’m always open to e-mail.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon