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David Poland

By David Poland poland@moviecitynews.com

The Dark Knight: The Musical

Variety reports that Warner Bros. is making plans to follow in Disney’s footsteps by bringing the Batman franchise to Broadway. That’s right, “The Dark Knight: The Musical” (It could be less painful than another Schumacher Batman sequel). I bet you want to sing already, huh? Songs include “My Dead Parents,” “Sorry ’bout the Acid, Joker,” the comedy number, “My Tights Are Too Darned Tight,” and the grand romantic ballad, “My Suit Is Happy To See You.”
The Arizona Republic talked to Tom Arnold, who spilled the beans about what’s next for James Cameron. According to Tom, it’s True Lies 2. Cameron is apparently ready to pay Fox back for their $200 million worth of faith in him and his vision for Titanic. Arnold starts his WB hiatus in February and he was just put on indefinite hold on Ridley Scott’s over-budget-before-pre-production, I Am Legend. And Cameron? He’d only have to take a break from the awards banquets at which he’ll soon be a regular. Look for the film in Christmas, 1998, assuming Tom is on target.
Whining was the art form of choice over the weekend. Kevin Costner was unhappy with press junket critics’ reaction to The Postman, his new writer/director/star turn. The reaction? Laughter. “That’s horrible!” squealed Kevin, “You guys (the media) keep spinning that way, and it’s wrong. You were wrong about Dances (With Wolves), you were wrong about Waterworld, and you’re wrong about this movie! It’s too bad that’s how it keeps going; that really pisses me off.” On the other hand, Christian Slater knows that he was wrong and that he needs help. He told reporters, “It doesn’t matter how famous you are … If your head is telling you you suck, all you ever want to do is try to escape from that. I’m just dealing with that now, and it’s tough.” Good luck, gentlemen. I’ll put a dime in your tin cups when I see you.
Any money for me? Throw something in my tin cup. Or just drop me a line to say hi.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon