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David Poland

By David Poland poland@moviecitynews.com

More News by the Numbers

10. Anastasia Returns, Again: After drawing just $56 million at American box offices, Fox is mounting its biggest marketing campaign ever — at least $100 million — for the home video release of Anastasia in April. So does that mean that Titanic will get a billion dollar home video push?
9. Killing The Messenger: New Line has chosen not to use the Clinton sex scandal to push Wag the Dog. But there has been one change in the ads. Now, the intention of the fictional president’s distraction squad is, according to the revamped voice over, to “fool the media.” Didn’t fool me, guys.
8. Ancient History: They are touting Titanic “survivor” Gloria Stuart as the oldest nominee in the history of the Screen Actors Guild Awards. The four year history of the SAG Awards. Hollywood history is measured in dog years.
7. Reversal Of Fortune: Antoine Fuqua got the gig directing The Replacement Killers after his video for Coolio’s “Gansta’s Paradise” got credit for the success of the movie Dangerous Minds. Who’s directing the video for the lead-off single from the soundtrack to Fuqua’s film debut? Doug Liman, who got the gig after having a feature hit with Swingers.
6. SuperThud: Studios hoping to follow in the footsteps of ID4 and MIB were S.O.L. Armegeddon crashed and burned with its $2.6 million Super Bowl ad, as did the $1.3 million entries for Lost in Space, The Mask of Zorro, Mercury Rising and Sphere. None were even mentioned in viewer bowls after the game.
5. Courting Trouble: Courtney Love got Sundance to dump Nick Broomfield‘s documentary on her so-called-life, but her actions made the film the headline-grabber of the festival. Now, Broomfield can thank her for the unprecedented multimillion dollar documentary production deal he just got from the U.K.’s Channel 4. Gotta love it.
4. Or Was That Fore!?: Billy Baldwin took a decade of anti-Baldwin Brother karma on the chin when he got smashed in the face with an errant golf ball last week in San Diego. In response, brother Alec pummeled the golf ball. Daniel Baldwin seethed, but couldn’t act. And no one reported on what Stephen Baldwin did since no one recognized him.
3. Oscar Time: The Director’s Guild Award nominations are out. No other award better predicts the eventual Oscar winner in any category. And the winner is announced on March 7.
2. Do You Take This Maniac?: Woody Harrelson finally tied the (hemp) knot. No word on whether Mr. Harrelson was using his favorite product, a derivative of hemp, at the wedding, but he clearly was when he was naming his kids, Deni Montana and Zoe Giordano.
1. Twisting In The Wind: In a slow news week, Steven Spielberg not having to pay St. Louis writer who claims that he stole the story for Twister is the biggest news. The plaintiff will not be paid millions of dollars. Spielberg won’t be appealing the case. And no one had sex with anyone.
READER OF THE DAY: This from Erin P.: “The Manchurian Candidate is the s–t. I’d pay through the nose to see it on the big screen. TV is so passé.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon