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David Poland

By David Poland poland@moviecitynews.com

Oscars Wrap-Up

Give me a T! Give me an I! Give me a T! Give me an A! OK, enough of that! It’s over. Titanic came pretty close to sweeping. Eleven Oscars. Can’t really argue with any of them. Would I have made a few different calls myself? Sure. Those of you who have been reading this column for a while know that I have some problems with the Big Boat. But I can’t deny that the film has left the hearts of millions floating on air. There’s not a film amongst the Best Picture nominees that I actually dislike. And none that I think is so far above the expert craftsmanship of Titanic that I was rooting for or against any of them. The only winner that I was disappointed by — and I know that many of you disagree — was Helen Hunt.
Even in the clip they showed for Best Film, she was more loud than deep to me. But her win seemed to fit in with the theme of the evening. Inevitability. There was more passion from the “other” award winners than from the big eight. Affleck and Damon tried really hard, but there was that moment where you got the feeling that Matt sensed a comedic lull and decided to start yelling. Jack jumping the lines in the floor didn’t play in the theater because no one there could see the lines. Kim Basinger was kind of sweet, but I had that creepy feeling that Alec Baldwin is going to go Star 80 on us. (Just kidding, Alec. Don’t hit me.) Somehow, a bunch of Oscars on top of a billion dollars seems like gilding the lily. Nonetheless, congratulations to all the winners.
MY FAVORITE MOMENT: Stanley Donen‘s song and dance. I’ve never seen a better prepared acceptance from an award recipient. It had all the charm of a Donen film. Lovely.
MOST GRACIOUS MOMENT: Kevin Costner poking fun at himself as The Postman in the filmed opening. You may have noticed that there weren’t many laughs from the audience. That film scared Hollywood so much that it was a bit like telling a joke about the Holocaust in a synagogue. And I’m not exaggerating.
PRESENT AND UNACCOUNTED FOR: On an evening with so many Oscar winners in the audience (“You are Fay Wray, aren’t you?”), did it seem odd to you that the Academy had Antonio Banderas, Cameron Diaz, Jennifer Lopez, Drew Barrymore, Alec Baldwin and Matt Dillon handing out awards? Gotta love the Academy’s appreciation for demographics!
THE OSCAR-WINNING LINE-UP: That thing took forever! I mean, I love that kind of thing, but it seemed to go on for half an hour. The thrill was gone somewhere around George Kennedy. And what started creeping into my head was all the people who were missing. I guess that Jodie Foster didn’t want to meet the press. Barbra has a backache. Gary Busey showed up to be on last night’s Oscar episode of “Politically Incorrect,” but he wasn’t on stage at the Oscars. And where were Tom Hanks, F. Murray Abraham, Emma Thompson, Sally Field, Shirley MacLaine, Meryl Streep, Kevin Spacey, Tommy Lee Jones, Kevin Kline, Diane Weist, Mercedes Ruehl, Olympia Dukakis, Linda Hunt, Jessica Lange and Mary Steenbergen? Paul Newman, Daniel Day-Lewis, Al Pacino, Nicolas Cage, William Hurt, Sissy Spacek, Diane Keaton, Gene Hackman and Chris Walken all get a pass for being notoriously absent on a regular basis. But what about Jane Fonda? On the night her brother was nominated for an Academy Award? Weird.
IT’S NOT A DATE: It was nice that Ben and Matt decided to bring the family, but couldn’t they get Gwyneth and Winona a couple of seats? Hell hath no fury like a P.R.-based romance scorned.
GOOD MINNIE HURTING: Minnie Driver looked so lost when the boys went up for their screenplay Oscar. Again. I don’t remember seeing this kind of public agony from a star since Madonna broke with Sean Penn.
SPEAKING OF WITCH: Did Madonna seem distracted, unhappy, catty and generally pissed while introducing other performers for Best Song? She did to me. Plus, the leather gown seemed like an ad for her album and the new shape of her busom seemed like an ad for motherhood.
BILLY RATES: Crystal was right. He should have gotten out after a great performance last year. He was fine, but the material was pretty soft this year. The best part of the Oscar song was the opening to the “Gilligan’s Island” theme song. All downhill from there, except maybe for getting in Jack’s lap. Crystal may be the perfect Oscar host. He is the only one (as opposed to Letterman, Leno or Dennis Miller) who is really a part of the community. But it was a little stale this time out. Maybe he, Robin and Whoopi should combine Comic Relief and the Oscars next year. All those tuxedos and the homeless. Could be great.
WHY DID THEY: Have to do a dance number? They had to know it would stink. Have giant cookie cutters for Oscar cookies on stage? I kept looking for the cookies. Go to close-ups on Spike Lee and Sidney Poitier when Samuel Jackson came on stage? Maybe they wanted to make Academy segregation more obvious Have a woman from Anastasia flying? I guess they thought it was still last year and they were doing The English Patient.
THE ANTI-OSCARS: On Sunday, Kevin Costner swept the Razzies with wins in every category for which it was nominated, taking worst picture, worst director, worst actor, worst screenplay and worst song. Other Razzie winners were Alicia Silverstone, Dennis Rodman, Speed 2, Con Air and, unfairly I think, Demi Moore, for G.I. Jane.
READER OF THE DAY: That would have to be the winner of my little Oscar contest. There were two people who made the right picks on 19 of the 24 Academy Awards given out last night. Both got all 11 Titanic Oscars. But one of them thought that Titanic would get an even dozen. Yes, Gloria Stuart threw the diamond overboard and she threw Joel Bergen right over the edge too. Our winner got all 11 Titanic nods and all eight of the major awards. When she writes about Jim Cameron, she adds, “a.k.a. JC, a.k.a. Jordan Catalano, a.k.a. Jesus Christ.” SheÕs a world-class smart-ass form the University of Michigan. Erin Podolsky, come on down!

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon