Dallas-Ft. Worth Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012


The Lord of the Rings: The Return of the King

Runners Up:
2. Cold Mountain
3. Mystic River
4. Lost in Translation
5. Finding Nemo
6. American Splendor
7. In America
8. Big Fish
9. Master and Commander: The Far Side of the World
10. The Last Samurai

Sean Penn/Mystic River

Runners Up:
2. Bill Murray/Lost in Translation
3. Ben Kingsley/House of Sand and Fog
4. Johnny Depp/Pirates of the Caribbean
5. Paul Giamatti/American Splendor

Charlize Theron/Monster

Runners Up:
2. Nicole Kidman/Cold Mountain
3. Diane Keaton/Something’s Gotta Give
4. Scarlett Johansson/Lost in Translation
5. Naomi Watts/21 Grams

Alec Baldwin/The Cooler

Runners Up:
2. Tim Robbins/Mystic River
3. Ken Watanabe/The Last Samurai
4. Albert Finney/Big Fish
5. Peter Sarsgaard/Shattered Glass

Renee Zellweger/Cold Mountain

Runners Up:
2. Patricia Clarkson/Pieces of April
3. Marcia Gay Harden/Mystic River
4. Holly Hunter/Thirteen
5. Ludivine Sagnier/Swimming Pool

Peter Jackson/The Lord of the Rings: The Return of the King

Runners Up:
2. Clint Eastwood/Mystic River
3. Anthony Minghella/Cold Mountain
4. Sofia Coppola/Lost in Translation
5. Tim Burton/Big Fish

City of God

Runners Up:
2. The Barbarian Invasions
3. The Triplets of Belleville
4. Together
5. Man on the Train

Capturing the Friedmans

Runners Up:
2. The Fog of War
3. Winged Migration
4. Spellbound
5. To Be and to Have

Finding Nemo

Andrew Lesnie/The Lord of the Rings: The Return of the King

RUSSELL SMITH AWARD (best low budget or cutting edge independent film)
American Splendor

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon