Golden Satellite Awards

2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2011 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2013 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | 2012 | | 2012 | 2012 | 2012 | | 2012 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2013 | 2014 | 2014 | 2014 | 2014 | 2014 | 2014 | 2014 | 2014 | 2014 | 2014

Best Motion Picture – Drama
In America

Best Motion Picture – Comedy or Musical
Lost in Translation

Best Foreign Language Film
City of God – Brazil

Best Motion Picture – Animated or Mixed Media
The Triplets of Belleville

Best Documentary
Amandla! A Revolution in Four-Part Harmony

Best Actress – Drama
Charlize Theron – Monster

Best Actor – Drama
Sean Penn – Mystic River

Best Actress – Comedy or Musical
Diane Keaton – Something’s Gotta Give

Best Actor – Comedy or Musical
Bill Murray – Lost in Translation

Best Supporting Actress – Drama
Maria Bello – The Cooler

Best Supporting Actor – Drama
Djimon Hounsou – In America

Best Supporting Actress – Comedy or Musical
Patricia Clarkson – Pieces of April

Best Supporting Actor – Comedy or Musical
Eugene Levy – A Mighty Wind

Best Director
Jim Sheridan – In America

Best Original Screenplay
Lost in Translation – Sofia Coppola

Best Adapted Screenplay
Mystic River – Brian Helgeland

Best Original Score
The Last Samurai – Hans Zimmer

Best Original Song
“Siente Mi Amor” – Once Upon a Time in Mexico – Robert Rodriguez

Best Cinematography
The Last Samurai – John Toll

Best Visual Effects
Master and Commander: The Far Side of the World

Best Film Editing
The Last Samurai

Best Sound
Master and Commander: The Far Side of the World

Best Art Direction
The Lord of the Rings: The Return of the King

Best Costume Design
The Last Samurai

Mary Pickford Award
Arnon Milchan

______________________________________________________________________

Golden Satellite Awards Nominations

Best Motion Picture – Drama
In America
The Last Samurai
The Lord of the Rings: The Return of the King
Master and Commander: The Far Side of the World
Mystic River
Thirteen
Whale Rider

Best Motion Picture – Comedy or Musical
American Splendor
Bad Santa
Bend it Like Beckham
Lost in Translation
A Mighty Wind
Pirates of the Caribbean: Curse of the Black Pearl

Best Foreign Language Film
The Barbarian Invasions – Canada
City of God – Brazil
Gloomy Sunday – Germany
Monsieur Ibrahim – France
Osama – Afghanistan/Iran
Spring, Summer, Fall, Winter and Spring – Korea

Best Motion Picture – Animated or Mixed Media
Brother Bear
Finding Nemo
Looney Tunes: Back in Action
Millennium Actress
Sinbad: Legend of the Seven Seas
The Triplets of Belleville

Best Documentary
Amandla! A Revolution in Four-Part Harmony
Capturing the Friedmans
The Fog of War
Lost in LaMancha
My Flesh and Blood
Stevie

Best Actress – Drama
Toni Collette – Japanese Story
Jennifer Connelly – House of Sand and Fog
Samantha Morton – In America
Charlize Theron – Monster
Naomi Watts – 21 Grams
Evan Rachel Wood – Nikki Reed, Thirteen

Best Actor – Drama
Hayden Christensen – Shattered Glass
Paddy Considine – In America
Tom Cruise – The Last Samurai
Jude Law – Cold Mountain
William H. Macy – The Cooler
Sean Penn – Mystic River

Best Actress – Comedy or Musical
Jamie Lee Curtis – Freaky Friday
Hope Davis – American Splendor
Katie Holmes – Pieces of April
Diane Keaton – Something’s Gotta Give
Diane Lane – Under the Tuscan Sun
Helen Mirren – Calendar Girls

Best Actor – Comedy or Musical
Jack Black – School of Rock
Johnny Depp – Pirates of the Caribbean: Curse of the Black Pearl
Robert Downey Jr. – Singing Detective
Paul Giamatti – American Splendor
Bill Murray – Lost in Translation
Billy Bob Thornton – Bad Santa

Best Supporting Actress – Drama
Maria Bello – The Cooler
Annette Bening – Open Range
Emma Bolger – In America
Patricia Clarkson – The Station Agent
Marcia Gay Harden – Mystic River
Holly Hunter – Thirteen

Best Supporting Actor – Drama
Alec Baldwin – The Cooler
Jeff Bridges – Seabiscuit
Benicio del Toro – 21 Grams
Djimon Hounsou – In America
Omar Sharif – Monsieur Ibrahim
Ken Watanabe – The Last Samurai

Best Supporting Actress – Comedy or Musical
Patricia Clarkson – Pieces of April
Scarlett Johansson – Lost in Translation
Shaheen Khan – Bend it Like Beckham
Catherine O’Hara – A Mighty Wind
Emma Thompson – Love Actually
Julie Walters – Calendar Girls

Best Supporting Actor – Comedy or Musical
Johnny Depp – Once Upon a Time in Mexico
Eugene Levy – A Mighty Wind
Bill Nighy – Love Actually
Sam Rockwell – Matchstick Man
Geoffrey Rush – Pirates of the Caribbean: Curse of the Black Pearl
Thomas Sangster – Love Actually

Best Director
Niki Caro – Whale Rider
Sofia Coppola – Lost in Translation
Clint Eastwood – Mystic River
Catherine Hardwicke – Thirteen
Robert Pulcini, Shari Springer Berman – American Splendor
Jim Sheridan – In America

Best Original Screenplay
The Cooler – Frank Hannah, Wayne Kramer
Kill Bill Vol. 1 – Quentin Tarantino, Uma Thurman
Lost in Translation – Sofia Coppola
The Station Agent – Thomas McCarthy
Thirteen – Catherine Hardwicke, Nikki Reed
21 Grams – Guillermo Arriaga, Alejandro Gonzalez

Best Adapted Screenplay
American Splendor – Robert Pulcini, Shari Springer Berman
Cold Mountain – Anthony Minghella
Mystic River – Brian Helgeland
Seabiscuit – Gary Ross
Shattered Glass – Billy Ray
Whale Rider – Niki Caro

Best Original Score
Camp – Stephen Trask
Cold Mountain – Gabriel Yared
Finding Nemo – Thomas Newman
The Last Samurai – Hans Zimmer
The Lord of the Rings: The Return of the King – Howard Shore
The Missing – James Horne
Seabiscuit – Randy Newman

Best Original Song
“Beyond the Sea” – Finding Nemo – Charles Trenet
“Cross the Green Mountain” – Gods & Generals – Bob Dylan
“Great Spirits” – Brother Bear – Phil Collins
“The Heart of Every Girl” – Mona Lisa Smile – Elton John
“How Shall I See You Through My Tears” – Camp – Michael Gore, Lynn Ahrens
“Siente Mi Amor” – Once Upon a Time in Mexico – Robert Rodriguez

Best Cinematography
Girl with a Pearl Earring – Eduardo Serra
The Last Samurai – John Toll
The Lord of the Rings: The Return of the King – Andrew Lesnie
Master and Commander: The Far Side of the World – Russell Boyd, Sandi Sissel
Mystic River – Tom Stern
Seabiscuit – John Schwartzman

Best Visual Effects
Kill Bill: Vol. 1
The Last Samurai
The Lord of the Rings: The Return of the King
Master and Commander: The Far Side of the World
Pirates of the Caribbean: Curse of the Black Pearl
Terminator 3: Rise of the Machines

Best Film Editing
House of Sand and Fog
The Last Samurai
The Lord of the Rings: The Return of the King
Master and Commander: The Far Side of the World
Mystic River
Seabiscuit

Best Sound
Kill Bill: Vol. 1
The Last Samurai
The Lord of the Rings: The Return of the King
Master and Commander: The Far Side of the World
Mystic River
Seabiscuit

Best Art Direction
Kill Bill: Vol. 1
The Last Samurai
The Lord of the Rings: The Return of the King
Master and Commander: The Far Side of the World
Seabiscuit
Whale Rider

Best Costume Design
The Company
The Last Samurai
The Lord of the Rings: The Return of the King
Master and Commander: The Far Side of the World
Pirates of the Caribbean: Curse of the Black Pearl
Seabiscuit

Mary Pickford Award
Arnon Milchan

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon