MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

More On The Dart Thrown By Pat

Just a thought…

I think it’s great that Scott Rudin is coming to Leslee Dart’s side in this time of transition, but here is another angle on the "firing in the middle of Oscar season" angle…

Given that the contract was up sometime in December, waiting until the bitter end would be even more damaging for Oscar-leaning clients.  The next week leads up to the Thanksgiving holiday… even though Mr. Rudin is revving the Closer engines right now, this is, for all intents and purposes, the only lull period until Christmas.  And with nominations closing on January 15, a lot of publicists will be eating their Christmas goose at their desks. 

Wouldn’t it have been much worse for this to drag on into December? 

Also, by treating it as a termination and not as a simple exit at the end of a contract, doesn’t that blur the likely-contracted rules about client-taking, competition and staff cherry picking?

My guess is that by December 1, Ms. Dart’s clients will notice little has changed for them except for the name on the stationery.

Also…

This breakdown at PMK/HBH is oddly reminiscent of the breakdown of CAA as Ovitz left.  It’s wasn’t the end of CAA by any stretch of the imagination.  But it was the end of the monolithic view of agentry in this town. 

CAA was The King. Likewise, outside of a few specific publicists, PMK has been seen as The King (or The Queen if you will).  A big part of that power was an absolute domination of the biggest names in the game, which allowed for packaging on a higher level than anyone else.  And the same has been true at PMK.  Having a problem (like not signing your life away to get access) with Tom Cruise and you have had a problem with everyone else in town, it has seemed.  It’s not that PMK still won’t be able to push really, really hard.  But Cruise, Kidman, Hanks, Rudin and Imagine represent a big chunk of the current upper echelon and they will (most likely) now be flacked elsewhere.

It’s not exactly breaking up ATT, but in Hollywood terms…

Be Sociable, Share!

One Response to “More On The Dart Thrown By Pat”

  1. Mark says:

    Still can’t see this getting nominated. Doesn’t look appealing to the masses.

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon