Broadcast Film Critics Association Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012

BEST PICTURE
Sideways

ACTOR
Jamie Foxx – Ray

ACTRESS
Hilary Swank – Million Dollar Baby

DOCUMENTARY FEATURE
Fahrenheit 9/11

SUPPORTING ACTOR
Thomas Haden Church – Sideways

SUPPORTING ACTRESS
Virginia Madsen – Sideways

ACTING ENSEMBLE
Sideways

DIRECTOR
Martin Scorsese – The Aviator

WRITER
Alexander Payne and Jim Taylor – Sideways

ANIMATED FEATURE
The Incredibles

YOUNG ACTOR
Freddie Highmore – Finding Neverland

YOUNG ACTRESS
Emmy Rossum – The Phantom of the Opera

POPULAR MOVIE
Spider-Man 2

FAMILY FILM (live action)
Finding Neverland

FOREIGN LANGUAGE FILM
The Sea Inside

SONG
Old Habits Die Hard – Mick Jagger and Dave Stewart

COMPOSER
Howard Shore – The Aviator

Broadcast Film Critics (BFCA) Nominations

BEST PICTURE
The Aviator
Collateral
Eternal Sunshine of the Spotless Mind
Finding Neverland
Hotel Rwanda
Kinsey
Million Dollar Baby
The Phantom of the Opera
Ray
Sideways

ACTOR
Javier Bardem – The Sea Inside
Don Cheadle – Hotel Rwanda
Johnny Depp – Finding Neverland
Leonardo DiCaprio – The Aviator
Jamie Foxx – Ray
Paul Giamatti – Sideways

ACTRESS
Annette Bening – Being Julia
Catalina Sandino Moreno – Maria Full of Grace
Imelda Staunton – Vera Drake
Hilary Swank – Million Dollar Baby
Uma Thurman – Kill Bill: Vol. 2
Kate Winslet – Eternal Sunshine of the Spotless Mind

SUPPORTING ACTOR
Thomas Haden Church – Sideways
Jamie Foxx – Collateral
Morgan Freeman – Million Dollar Baby
Clive Owen – Closer
Peter Sarsgaard – Kinsey

SUPPORTING ACTRESS
Cate Blanchett – The Aviator
Laura Linney – Kinsey
Virginia Madsen – Sideways
Natalie Portman – Closer
Kate Winslet – Finding Neverland

ACTING ENSEMBLE
Closer
The Life Aquatic with Steve Zissou
Ocean’s Twelve
Sideways

DIRECTOR
Clint Eastwood – Million Dollar Baby
Marc Forster – Finding Neverland
Taylor Hackford – Ray
Alexander Payne – Sideways
Martin Scorsese – The Aviator

WRITER
Bill Condon – Kinsey
Charlie Kaufman – Eternal Sunshine of the Spotless Mind
John Logan – The Aviator
David Magee – Finding Neverland
Alexander Payne and Jim Taylor – Sideways

ANIMATED FEATURE
The Incredibles
The Polar Express
Shrek 2

YOUNG ACTOR
Liam Aiken – Lemony Snicket’s A Series of Unfortunate Events
Cameron Bright – Birth
Freddie Highmore – Finding Neverland
Daniel Radcliffe – Harry Potter and the Prisoner of Azkaban
William Ullrich – Beyond the Sea

YOUNG ACTRESS
Emily Browning – Lemony Snicket’s A Series of Unfortunate Events
Dakota Fanning – Man on Fire
Lindsay Lohan – Mean Girls
Emmy Rossum – The Phantom of the Opera
Emma Watson – Harry Potter and the Prisoner of Azkaban

POPULAR MOVIE
The Bourne Supremacy
The Incredibles
Napoleon Dynamite
The Passion of the Christ
Spider-Man 2

FAMILY FILM (live action)
Finding Neverland
Harry Potter and the Prisoner of Azkaban
Lemony Snicket’s A Series of Unfortunate Events
Miracle
Spider-Man 2

PICTURE MADE FOR TELEVISION
The Five People You Meet in Heaven
The Life and Death of Peter Sellers
Something the Lord Made
The Wool Cap

FOREIGN LANGUAGE FILM
House of Flying Daggers
Maria Full of Grace
The Motorcycle Diaries
The Sea Inside
A Very Long Engagement

SONG
Accidentally in Love – Counting Crows
Believe – Josh Groban
Old Habits Die Hard – Mick Jagger and Dave Stewart

SOUNDTRACK
Alfie
Beyond the Sea
De-Lovely
Garden State
Ray

COMPOSER
Michael Giacchino – The Incredibles
Rolfe Kent – Sideways
Howard Shore – The Aviator

DOCUMENTARY FEATURE
Control Room
Fahrenheit 9/11
Metallica: Some Kind of Monster
Super-Size Me

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon