Visual Effects Society Nominees

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Los Angeles, January 10, 2005 – The Visual Effects Society (VES), the entertainment industry’s only society of visual effects professionals, today announced nominees for the 3rd Annual VES Awards recognizing outstanding visual effects in nineteen (19) categories of film, television, commercials, music videos and games. Nominees were chosen by a panel of over sixty (60) visual effects professionals (all VES members) that viewed hundreds of entry submissions during an all-day event at the Los Angeles Equestrian Center over the weekend. The announcement was made by Eric Roth, VES Executive Director, who said “We are thrilled with the caliber of talent represented by this year’s nominees. This year marks a significant increase in submissions for the VES Awards, which demonstrates the tremendous growth in awareness and visibility we are enjoying as an organization.”

THE BIG REVEAL

The awards process continues with a special annual event on January 22 – THE BIG REVEAL 2005 – which is VES’ counterpart to the Motion Picture Academy’s visual effects “Bake-Off” where nominees demonstrate the secrets behind the visual effects “magic” that earned each artist a place among this year’s VES Awards nominees. Unlike the Academy’s Bake-Off, the Society’s “Big Reveal” event won’t reduce the number of nominees. However, one major difference between the Bake-Off and the Big Reveal is that the VES allows the inclusion of Before & After materials, enabling the artists to step out from behind the proverbial curtain and share the wizardry of their craft. “This process helps voters better understand the intricacies of each entry. Technology is evolving so quickly that even visual effects professionals themselves are fooled regularly by what is an effect and what is not,” explains VES Awards Chair Jeff Okun. This event, being held at the Skirball Cultural Center, is open to all VES members as the entire membership participates in final voting. The Big Reveal 2005 is free to VES members and also open to the public at $20 per ticket. Tickets to the event are available by calling the VES office at (310) 822-9181 or may also be purchased at the door.

ONLINE VIEW & VOTE

For the first time in the VES Awards’ 3-year history, final viewing and voting will take place online via the VES website from January 31 to February 12. This groundbreaking method will allow VES members worldwide to view encrypted clips of the nominees’ work and vote in a safe and secure online environment. Only VES members may vote and a special password is required to view and vote online.

Winners will be announced at the 3rd Annual VES Awards gala on February 16, 2005 at the Hollywood Palladium. Academy Award® winning director, Robert Zemeckis, will receive the VES Lifetime Achievement Award, which will be presented to him by Academy Award® winning actor Tom Hanks.

A complete list of all nominees for the 3rd Annual VES Awards follows and is also available on the VES Awards web site at http://www.vesawards.com.

Outstanding Visual Effects in a Visual Effects Driven Motion Picture

The Day After Tomorrow

Karen Goulekas, Mike Chambers, Greg Strause, Remo Balcells

Harry Potter and the Prisoner of Azkaban

Roger Guyett, Tim Burke, Theresa Corrao, Emma Norton

Spider-Man 2

John Dykstra, Lydia Bottegoni, Anthony LaMolinara, Scott Stokdyk

Outstanding Supporting Visual Effects in a Motion Picture

The Aviator

Rob Legato, Ron Ames, Matthew Gratzner, Pete Travers,

Eternal Sunshine of the Spotless Mind

Louis Morin, Mark Dornfeld

Troy

Nick Davies, Chas Jarrett, Jon Thum, Gary Brozenich

Outstanding Visual Effects in a Broadcast Miniseries, Movie or a Special

Dragons

Sirio Quintavalle, Jo Nodwell, Alec Knox, Neil Glaseby

Earthsea

Peter Ware, Eric Grenaudier, Jared Jones, Earl Paraszcynec

Virtual History – The Secret Plot to Kill Hitler

Jim Radford, Tom Phillips, Simon Thomas, Loraine Cooper

Outstanding Visual Effects in a Broadcast Series

Stargate Atlantis, “Rising”

John Gajdecki, Bruce Woloshyn, Jinnie Pak, Tara Conley

Stargate SG-1, “Lost City, Part 2”

James Tichenor, Shannon Gurney, Craig Van Den Biggelaar, Bruce Woloshyn

Star Trek Enterprise, “Storm Front Part 2”

Ronald Moore, Daniel Curry, David Takemura

Outstanding Visual Effects in a Commercial

British Telecom: Network

David Lombardi, Richard Mann, Eric Durst, Kevin Prendiville

Citroen ‘Alive With Technology’

Trevor Cawood, Neill Blomkamp, Simon Van de Lagemaat, Winston Helgason

Johnnie Walker ‘Tree’

William Bartlett, Murray Butler, Jake Mengers, Andy Boyd

Outstanding Visual Effects in a Music Video

Britney Spears “Toxic”

Bert Yukich

Duran Duran “What Happens Tomorrow”

Jerry Steele, Jo Steele, Brian Adler, Monique Eissing

Never ‘The Dream”
Trevor Cawood, Simon Van de Lagemaat, Stephen Pepper, Jon Anastasiades

Outstanding Supporting Visual Effects in a Broadcast Program

Clubhouse, “Episode #005”

Curt Miller, Jason Spratt, Doug Witsken, Michael Tonder

Lost, “Pilot – Part 2”

Kevin Blank, Mitch Suskin, Benoit Girard, Jerome Morin

Spartacus

Sam Nicholson, Eric Grenaudier, Anthony Ocampo, Tim Donahue

Best Single Visual Effect of the Year

The Aviator – Hell’s Angels

Rob Legato, Ron Ames, David Seger, Peter Travers

The Day After Tomorrow – Tidal Wave

Karen Goulekas, Mike Chambers, Chris Horvath, Matthew Butler

Harry Potter and the Prisoner of Azkaban

Bill George, David Andrews, Sandra Scott, Dome Huebler

Spider-Man 2 – Clock Tower

John Dykstra, Lydia Bottegoni, Dan Abrams, John Monos

Outstanding Visuals in a Video Game

007 Everything or Nothing

David Carson, Jay Riddle, Habib Zargarpour

Half-Life 2

Viktor Antonov, Randy Lundeen, Gary McTaggart, Bill Fletcher

The Lord of the Rings: The Battle for Middle Earth

Mark Skaggs, Richard Taylor II, Matt Britton, Nate Hubbard

The Lord of the Rings: The Third Age

Stephen Gray, Margaret Foley-Mauvais

Outstanding Performance by an Animated Character in a Live Action Motion Picture

Harry Potter and the Prisoner of Azkaban

Michael Eames, David Lomax, Felix Balbas, Pablo Grillo

Hellboy – Samael Character

Dovi Anderson, Todd Labonte, Sven Jensen, Paul Thuriot

Lemony Snicket’s A Series of Unfortunate Events- Sunny Character

Rick O’Connor, Martin Murphy, Indira Guerrieri, Sam Breach

Outstanding Performance by an Animated Character in an Animated Motion Picture

The Incredibles – Bob Parr/Mr. Incredible

Craig T. Nelson, Bill Wise, Bill Sheffler, Bolhem Bouchiba

The Polar Express – Steamer

Michael Jeter, David Schaub, Renato Dos Anjos, Roger Vizard

Shark Tale – Angie

Renee Zellweger, Ken Duncan

Shrek 2 – Puss in Boots

Antonio Banderas, Raman Hui

Outstanding Performance by an Animated Character in a Live Action Broadcast Program

Battlestar Galactica, “Episode 101”

Dustin Adiar, Mark Shimer, Jesse Toves, Sean Jackson

Stephen King’s Kingdom Hospital

William de Bosch Kemper, Brian Harder, Patrick Kalyn, Scott Paquin

Outstanding Special Effects in Service to Visual Effects in a Motion Picture

The Aviator

Robert Spurlock, Richard Stutsman, Matthew Gratzner, Roy Goode

Spider-Man 2

John Frazier, Jim Schwalm, Jim Nagle, Dave Amborn

Van Helsing

Georff Heron, Chad Taylor

Outstanding Created Environment in a Live Action Motion Picture

Bridget Jones: The Edge of Reason

Alex Hope, Jody Johnson, Pieter Warmington

I, Robot

Rachael Haupt, Mark Tait Lewis, Nick McKenzie, Geoff Tobin

The Phantom of the Opera – Opening Shot

Claas Henke, Laurent Ben-Mimoun, Anupam Das

Spider-Man 2, – NYC Street – Night

Dan Abrams, David Emery, Andrew Nawrot, John Hart

Outstanding Created Environment in a Live Action Broadcast Program

Smallville, “Crusade”

John Han, Brian Harding, Terry Shigemitsu, Noriaki Matsumoto

Spartacus – Opening

Eric Grenaudier, Anthony Ocampo, Cedric Tomacruz, Michael Cook

Star Trek Enterprise, “Storm Front Part 2” – Dogfight over New York City

Pierre Drolet, Fred Pienkos, Eddie Robinson, Sean Scott

Outstanding Models and Miniatures in a Motion Picture

The Aviator – XF11 Crash

Matthew Gratzner, Scott Schneider, Adam Gelbart, Leigh-Alexandra Jacob

Harry Potter & The Prisoner of Azkaban

Jose Granell, Nigel Stone

National Treasure – Treasure Room

Matthew Gratzner, Forest Fischer, Scott Beverly, Leigh-Alexandra Jacob

Outstanding Compositing in a Motion Picture

Harry Potter and the Prisoner of Azkaban – Azkaban Guards Attack

Dorne Huebler, Jay Cooper, Patrick Brennan, Anthony Shafer

The Phantom of the Opera – Opening Shot

Claas Henke, Laurent Ben-Mimoun, Anupam Das

Spider-Man 2- Train Sequence

Colin Drobnis, Greg Derochie, Blaine Kennison, Kenny Lam

Outstanding Compositing in a Broadcast Program

The Librarian – Himalayan Pass sequence

Greg Groenekamp, Joel Merritt, Mamie McCall

Smallville, “Crisis”

John Han, Eli Jarra, Noriaki Matsumoto, Terry Shigemitsu

Space Odyssey – Voyage To The Planets

George Roper, Christian Manz, Sirio Quintavalle, Pedro Sabrosa

Outstanding Performance by an Actor or Actress in a Visual Effects Film

The Aviator

Leonardo DiCaprio

Sky Captain and the World of Tomorrow

Jude Law

Spider-Man 2

Alfred Molina

ABOUT VES
Founded in 1997, the Visual Effects Society is an organization comprised of distinguished visual effects artists desiring to honor, advance and promote visual effects for its membership and the industry as a whole. The Society promotes continuous awareness about the visual effects industry, supports combined technology research and development, and designs and implements educational programs for its membership and the public interested in the production of visual effects. Society headquarters are located in Los Angeles, CA with approximately 1,100 global members.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

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There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

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So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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