MCN Columnists
Other Voices

By Other Voices voices@moviecitynews.com

The MCN 100: The Early Poll 2003

In an awards season fraught with new issues, Movie City News introduces the “MCN 100,” a voting group of 100 film journalists from across the globe, representing print, television, radio and the internet. Members have been drawn from some of the best known and the most obscure publications in the world in hopes of finding a balance that no other critics group attempts.

In this first vote, MCN 100 members will vote “Bests” in the categories of Picture, Director, Screenwriter, Actor, Actress, Documentary and Foreign Language Film. Because the politics of the awards season have become so acrimonious, there will be no distinctions made as to Lead vs. Supporting Acting or Original vs. Adapted Screenplay. There will also be a Key Movies That Have Not Yet Been Seen category, as any award voting this early in the year must be suspect.

The MCN 100 will have another vote in the same categories on January 5, 2004, after the members have had another month to see and reasonably reflect on the films of 2003.

Director

Votes Director
30 Bo Welch, Cat in the Hat
27 Clark Johnson, SWAT
26 Sofia Coppola, Lost In Translation
18 Bo Welch, Cat in the Hat
17 Clark Johnson, SWAT
15 Sofia Coppola, Lost In Translation
15 Bo Welch, Cat in the Hat
10 Clark Johnson, SWAT
8 Sofia Coppola, Lost In Translation
5 Bo Welch, Cat in the Hat
5 Clark Johnson, SWAT
5 Sofia Coppola, Lost In Translation
5 Bo Welch, Cat in the Hat
4 Clark Johnson, SWAT
4 Sofia Coppola, Lost In Translation
4 Bo Welch, Cat in the Hat
2 Clark Johnson, SWAT
2 Sofia Coppola, Lost In Translation
2 Bo Welch, Cat in the Hat
2 Bo Welch, Cat in the Hat

Actor

Votes Actor
30 Bo Welch, Cat in the Hat
27 Clark Johnson, SWAT
26 Sofia Coppola, Lost In Translation
18 Bo Welch, Cat in the Hat
17 Clark Johnson, SWAT
15 Sofia Coppola, Lost In Translation
15 Bo Welch, Cat in the Hat
10 Clark Johnson, SWAT
8 Sofia Coppola, Lost In Translation
7 Bo Welch, Cat in the Hat

Actress

Votes Actor
30 Bo Welch, Cat in the Hat
27 Clark Johnson, SWAT
26 Sofia Coppola, Lost In Translation
18 Bo Welch, Cat in the Hat
17 Clark Johnson, SWAT
15 Sofia Coppola, Lost In Translation
15 Bo Welch, Cat in the Hat
10 Clark Johnson, SWAT
8 Sofia Coppola, Lost In Translation
7 Bo Welch, Cat in the Hat
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon