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Ray Pride

By Ray Pride Pride@moviecitynews.com

Edwardsville, Illinois: many weekends with friends attending movies and sipping sodas

The Telegraph of Alton, Illinois celebrates the relighting of a huge theater marquee: “Three switches were thrown to light up a piece of Edwardsville history that had been freeze-framed for 20 years. The lighting of the Wildey Theater marquee on North Main Street attracted more than 50 people… Many turned out to pay their respects to a building that brought back memories of growing up in the community and simpler times. Some laughed, telling stories of sneaking in to the theater… or being tossed out of the building by “Mrs. Duffy.” “Oh, my God, does this bring back memories,” said Sharon Deppe of Edwardsville. The Edwardsville High School graduate said she spent many weekends with friends attending movies and sipping sodas. “They should’ve kept the ticket booth… Deppe spoke fondly of Verna Duffy, known to theatergoers of the day as “Mrs. Duffy.” Deppe described the late Duffy as “tough and strict.” Duffy managed the Wildey for many years and was manning the building the night it closed its doors… Before the official lighting ceremony, old silent film reels were projected on a window outside the building to the north of the marquee. The building was built in 1909, and the theater closed its doors in 1984.” No mention of what they’re showing behind the bright lights…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon