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David Poland

By David Poland poland@moviecitynews.com

New To The MCN Blog Family

The Festival Blog
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8 Responses to “New To The MCN Blog Family”

  1. Mark Ziegler says:

    Toronto should have a real good selection this year.

  2. Drew says:

    It may well be one of the strongest line-ups going into Toronto that I’ve ever seen. I’d be shocked if all of them delivered on their promise fully, but even so… it looks like an amazing year on paper.

  3. Mark Ziegler says:

    Not every movie delivers on its promise but this is a quality field this year.

  4. Jeffrey Boam's Doctor says:

    Wait til you see the Midnight Madness lineup. A couple of surprises but one unfortunate (yet kind of expected) omission.

  5. Mark Ziegler says:

    Whats the midnight lineup looking like?

  6. blackcloud says:

    Hooray, more opportunities for tedious arguments.

  7. PandaBear says:

    Hooray more for movie talk! Yes sir.

  8. Krazy Eyes says:

    Yeah Boam . . . spill the beans on Midnight Madness.
    I’ve heard some rumours that the UK horror film THE DESCENT will be making an appearance (it’s from the Dog Soldiers guy).
    I’ve heard TOM YONG GOONG (from the Ong Bak guy) was scheduled but pulled when the F**kin’ Weinsteins bought the International rights.
    Did anyone else read those recent comment by Bob Weinstein about THE DARKNESS. Not the best film regardless but what a prick.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon