

By Ray Pride Pride@moviecitynews.com
Aegean gracefully: the revamped Thessaloniki Film Festival
Athens News’ Angelike Contis reports on the revamped Thessaloniki International Film Festival, the November Greek event considered over the past decade by many observers to be one of Europe’s most important, in a new formation after a spring shake-up.
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At an Athens press conference, new director Despoina Mouzaki (replacing longtime head Michel Demopoulos) described the revamped event as “more condensed.” The important International Competition will continue, along with tributes to South Korea’s Kim Ji Woon (The Quiet Family) and Park Chan-wook (known for his “Vengeance” trilogy), as well as Taiwanese poetic minimalist Hou Hsiao Hsien Japan’s yakuza king Seijun Suzuki. The festival has retained its Balkan Survey, and there will be peeks at the Mexican film tradition and the latest Danish and Irish films. Honorees of those offering masterclasses include Michael Winterbottom, Patrice Chereau, cinematographer Vittorio Storaro and production designer Alex McDowell. However, the vital New Horizons section founded by Dimitris Eipides will be replaced by a category called “Independence Days” for films from around the world. At the conference, Contis reports, “It’s a festival of new creators and new creations,” noted Greek-French actor Georges Corraface, the festival’s new president, who replaced Pantelis Voulgaris, who replaced Theo Angelopoulos, all in a matter of months….With regard to local film, Mouzaki (who is also a film producer) said, “A festival can’t solve the problems of a national cinema, but it can showcase talent.” (The dismissed Angeloupolos was out talking to students, Katherimerini reports: “The young filmmakers asked Angelopoulos [about digital and other new formats]. “We see a film through our own eyes, which are our internal gaze… If we manage to communicate, then that is a small miracle. That is the only reason I love movie theaters.” As for the Festival who no longer wanted him, the veteran director says, “I cannot accept the compromise that the Thessaloniki Film School has turned into. In my opinion it is a mistake, caused by the previous and the current governments.” [Photo of the Olympion Theatre interior by Ray Pride.]