MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Quel fromage: more from epicure Depardieu

“Like many men,” he says with a grin, lighting up a cigarette, “I’m always a sex symbol in my own mind, but it’s great to be told so now and then, especially when you eat too much and have big love handles like me,” Gerard Depardieu concedes to Nigel Farndale of The Age. “But the love handles are a price he’s happy to pay, for Depardieu is a gourmand. Not only does he love to eat – he’s been known to consume four entire roast chickens at one sitting – but he is also a formidable cook who will produce a whole roast pig for a casual lunch…
9349-Szenenbild_03jpeg_700x467.jpg
“So seriously does Depardieu take winemaking that he describes himself as acteur-vigneron (actor-winemaker) on his passport. He owns more than a dozen vineyards around the world, from the Loire, Bordeaux and Languedoc to Sicily, Algeria, Morocco and Argentina, and helps with the harvest at [some]. “I love being hands-on, getting on the tractor. When you make wine you need to know how everything works.” It’s a “profitable sideline for him; he produces 1m bottles a year from his vineyard in Anjou alone. Is it true he talks to his wine? “I talk to my wine like I talk to my food when I am cooking. I am in communion with it. Totally absorbed.”

Be Sociable, Share!

Comments are closed.

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon