MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

American censors: say it ain't so, Joe

How committed to free expression in a secular society are our elected leaders? Howie Klein, former head of Reprise Records, writes memorably and with telling details about firsthand encounters with censorship instincts of US politicians like Connecticut Democrat Joseph Lieberman, and it’s an ugly, ugly portrait. “People often ask me what happened [with the parental ratings implementation] and what was the big deal. Lieberman knew exactly what he was doing… when he insisted on ratings on CDs and it had nothing to do with helping parents supervise their children. Few people understand, the way Lieberman did, that in the late 80s something like 70% of all recorded music was sold in stores in malls and that malls have very stringent lease arrangements about their tenants not selling “pornography.” Klein characterizes the failed Vice Presidential candidate and his compatriots this way: “Over the course of this controversy two of the Senate’s most uptight and close-minded prigs, Sam Brownback and Lieberman, pushed for the kinds of stickers that would make it impossible for the kind of music they objected to… to be stocked by 70% of American retailers. The effect inside the music business was chilling—and instantaneous. senasor-lieberman.jpgSuddenly a whole new internal bureaucracy had to be created to police every record and suddenly artists were being pressured—sometimes overtly and sometimes less overtly—to cave in to demands by two really reactionary fundamentalists whose values are far from mainstream. In one fell swoop Lieberman destroyed an alliance between young voters and the Democratic Party that had started with John Kennedy’s election as he ham-fistedly savaged their culture for his own political ambitions.” Klein quotes Danny Goldberg, former chairman of Warner Bros Records and his book, “Dispatches from the Culture War: How the Left Lost Teen Spirit.” “When former LBJ advisor Jack Valenti, then head of the movie industry trade organization, and a friend of Lieberman’s was asked by Danny if he had ever told Lieberman about the First Amendment implications of the type of censorship he was advocating, Valenti replied, “When people get very religious and they believe their course of action is sanctioned by a higher authority, there’s not much you can do to communicate with them— left, right or center.” [More venom at the link.]

Be Sociable, Share!

Comments are closed.

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon