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David Poland

By David Poland

Bits & Pieces

Just some things that may or may not be of interest…
*Warner Indy is waiting to find out from the production team that made March of the Penguins whether there will be a sequel. Apparently, they are going back to the same area where the original was spawned to try to shoot the part of the story where the female penguins leave the male penguins behind with the egg to thoroughly understand what happens then. If there is footage to get, it will be a sequel within 2 years. In the meanwhile, the National Georgraphic kinda-sequel, about a Polar Bear, a Walrus and some other such ice lovers, The White Planet, may not get into the summer action this year after John Lesher took over the project hatched by Vitale & Dinerstein.
*Roger Durling was just extended for another year running the Santa Barbara International Film Festival.
*One of the interesting aspects of the Shmuger/Linde hire at Universal is that it marks a directional shift for the studio towards the international, where both men have experience. Yes, they also have a lot of experience on the marketing side and there is an absolute acknowledgement that the marketing minds is a big part of how the movie business works now. But the vision at the studio (where as far as I know, neither man will work in Black Rock as reported in some TradMedia paper last week) is much more Mechanic or Giannopoulos than Dawn Steel.
*Don’t know if you saw Criticker on MCN… I’m not sure I would be willing to spend enough time to give the thing enough info to make it work well, but it is interesting…
*Roger “Make Me Do Right Or Make Me Do Wrong, I’m Your Puppet” Friedman “reported” on Monday that “friends in Memphis” told him that Isaac Hayes didn’t quit South Park and hinted that it was some sort of conspiracy. Does anyone buy that exretia?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon