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David Poland

By David Poland poland@moviecitynews.com

Late Arriving Photos From SXSW

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The Best Burger In Austin?
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The Hardest Working Man In indieWIRE Business
sxsw 3.jpgCeleb On The Web
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The Alamo Drafthouse
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Scott Wilson Enjoys The Introduction
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Leslie Vernon Wants You To Have A Heart
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Team Behind Behind The Mask… Dad, Heavenly, Bro, Director
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But Who Will Buy The Film???

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8 Responses to “Late Arriving Photos From SXSW”

  1. jeffmcm says:

    I’m guessing you didn’t mind the extracted heart nearly as much as the Hills Have Eyes severed ear.

  2. Crow T Robot says:

    Goddamn I miss that town.
    As far as sheer love of film goes, Hollywood couldn’t hold Austin’s jock strap.
    I’m suddenly craving a Shiner Bock.

  3. Hopscotch says:

    I miss Austin too..
    Crow, do you know what restaurant that is?? i can’t for the life of me remember it and its driving me nuts.

  4. Crow T Robot says:

    Not so sure, Hop. I’m not from there. It’s gotta be on 6th street, right? The brick walls in that area are a dead giveaway.
    I’ve been off and on SXSW for nine years now. Best memory: Sharing a beer with Eastwood’s DP (and nicest guy in the world) Jack Green. A close second would be being front and center for the mega panel of ’97 featuring then “new kids” Tarantino, Kevin Smith, Soderbergh, George Huang, Rodriguez, Mike Judge and Richard Linklater.
    Can you guess which director came off as the biggest asshole?

  5. jeffmcm says:

    Is it the one who isn’t working anymore?

  6. Hopscotch says:

    I’m guessing Soderbergh. but it is probably that George Huang guy.

  7. Crow T Robot says:

    Said asshole was, at the time, the panel’s lone Oscar winner. He sauntered in 30 minutes late, reeking of beer (and Mira Sorvino sex) and proceeded to spray his hubris all over the panel:
    “If Harvey likes you, you’re in… if not then fuck you.”
    “I’d break into the studio and burn all the negatives if they tried that shit with me.”
    “You know what they call a Krusty Burger in Shelbyville? A quarter pounder with cheese!”
    Or something like that…

  8. KamikazeCamelV2.0 says:

    so… Quentin?
    lol, I hate Kevin Smith.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon