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Ray Pride

By Ray Pride Pride@moviecitynews.com

The Notorious Tony Blair: when a PM-to-be dated a future director

The Independent reports on the college dalliances of spiky former film cricket Mary Harron and director of The Notorious Bettie Page, including with the Brit PM. Marie Woolf and Francis Elliott wrote in late February: notbettie2330-7.jpg“When Tony Blair was a long-haired undergraduate at Oxford, he dated the vivacious Canadian student and future film director Mary Harron, who observed she went out with the future prime minister because he was “good looking in a kind of sweet way, and wasn’t at all predatory”… By remarkable coincidence, she also went out with Chris Huhne, an Oxford contemporary of Blair, who last week was tipped in the polls as the most likely contender to take over from Charles Kennedy as Liberal Democrat leader…. Tony Blair, who resembled a Led Zeppelin roadie with his flares and long hair, was studying law and singing Rolling Stones covers with his band, the Ugly Rumours. In the audience of one of his college bar gigs may have been Chris Huhne, who drove an old yellow taxi and dressed head to toe in denim, when not politicking with the university Labour club.


He was also writing for the university newspaper Isis, which he went on to edit, bringing him into the milieu of future Fleet Street editors such as Tina Brown, the future editor of Tatler, the New Yorker and Vanity Fair. Stephen Glover, the columnist and founding editor of The Independent on Sunday, and Patrick Wintour, just appointed political editor of The Guardian, were also in his inner circle of friends… [B]oth ended up managing the heavy metal band Jaded at different times, without knowing each other… At Oxford, Huhne and Blair’s paths did not cross directly. But between 1972 and 1975 both students were taken with a vivacious Canadian “literary type” that hung out with the trendy music set who partied to bands such as the Grateful Dead. Mary Harron later commented that while at Oxford she was “seeking bohemia, looking for the underground”… Harron, in an interview in 1994, hinted at which boyfriend she may have preferred. “Even before he became an MP and famous, I always thought of Tony as the only ‘nice’ person that I ever went out with at Oxford,” she said.”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon