Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Word-of-Mouth Cult Joins Berney and Siegel Among Marketing Greats


In a periodically fascinating piece in today’s Variety, columnist Jonathan Bing takes on that ever-abstract, ever-influential marketing lodestar known as word of mouth–and I only say “periodically fascinating” because we already know how Picturehouse’s Bob Berney and publicist Peggy Siegel are among the shrewdest word-of-mouth wonks in New York (if not the entire film industry). And while I am beyond relieved that Anna Wintour has at long last “validated” The Devil Wears Prada, I had to read down to the final third of Bing’s column to take in the summer’s first official “you-have-got-to-be-shitting-me” revelation:

(W)ord-of-mouth marketing has long been overlooked by major consumer brands largely because it didn’t seem to lend itself to the sort of metrics (gross ratings points, costs per thousand, etc.) that a TV campaign does. The Word of Mouth Marketing Association has been working hard to change that perception. Next month, it’s holding a conference on “Word of Mouth Basic Training,” otherwise known as WOMBAT, to study the ways in which this marketing practice can, as WOMMA head Andy Sernovitz puts it, serve as a “plannable, trackable part of the marketing mix.” …

“The future is going to be what I call people networks,” said Dave Balter, founder of a Boston-based marketing agency BzzAgent which employs some 180,000 volunteer word-of-mouth agents from coast to coast. “We’re turning our system of agents into a media form. Companies can access them as they access other media forms.”

Bing adds that WOMMA measures its impact in something called WOM Units and that the entire movement is predicated on the theory that networks of people can be managed as strategically as media campaigns can be. I thought WOMMA’s point was that the two were not really separate, but I am genuinely inclined to find out for myself if I can ever pry my ass away from the goddamned Da Vinci Code beat. Oh, wait.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon