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David Poland

By David Poland poland@moviecitynews.com

All CG… Even The Eyes… Amazing…

davyjoneseyes.jpg

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12 Responses to “All CG… Even The Eyes… Amazing…”

  1. Aladdin Sane says:

    Can’t wait to see Cap’n Davey Jones in action on the big screen. It does look pretty fantastic.

  2. jeffmcm says:

    Does this mean Nighy was never on set?

  3. Crow T Robot says:

    Agreed. The years have not been good to our Davey Jones. And I can only image how crusty Mickey Dolenz, Mike Nesmith and Peter Tork are looking now too. Sheesh!
    (thanks, try the veal, folks)

  4. Chris Tilton says:

    I wonder what his balls look like in CG

  5. David Poland says:

    Apparently he was on set with motion-capture stuff in his face.
    I thought the eyes were his and a reporter who talked to the team about the CG squid wrote to let me know that the eyes were CGed too.

  6. Josh Massey says:

    Bah, who needs actors anymore!?

  7. EDouglas says:

    I’d be worried about a Jar Jar factor if it were anyone but Bill Nighy… seeing the movie tonight and I can’t wait!

  8. Tofu says:

    This cat is just great with makeup effects. He was a real breakthrough performance in the otherwise worthless Underworld.
    So… Like… How does he breathe? Hehe.

  9. Wrecktum says:

    That shot is my favorite Davy Jones shot in the film. My second favorite is when he lights his pipe in his first scene and blows out the match with that little doohicky on his left cheek. Truly awesome.

  10. adorian says:

    This is going to be the #1 Halloween mask this year! I want one NOW!

  11. KamikazeCamelV2.0 says:

    Just look at the detail with the barnicles on his hat. My god, that’s impressive.

  12. Sandy says:

    I can actually “feel” his tentacles! Amazing!
    Looks like I’m going to see this several times just to appreciate all the CGI work.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon