Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

DIY Sensation 'Four Eyed Monsters' Set to Attack Theaters in 15 Cities

The buzz surrounding local filmmakers Susan Buice and Arin Crumley’s microbudget cause celebre Four Eyed Monsters has found momentum in repeated notations at indieWIRE, festival flourishes at Slamdance and South by Southwest, strong word-of-mouth and, last fall, the full-blown NY Times feature treatment. Really, though, their self-promotional prowess precedes them, and as Buice and Crumley prepare Monsters for a two-day, 15-city run as part of indieWIRE’s Undiscovered Gems series (starting tonight at Cinema Village), their Web site remains pretty much at the cutting edge of grass roots.

New York, NY – Cinema Village

Tuesday June 27th @ 7:30pm | Wednesday June 28th @ 7:30pm
Buy Tickets | Print B&W flier | Directions | Who is attending
Trailer | Video Podcast


To wit:
–A video invitation to this week’s screenings, including an animated map directing New Yorkers to tonight’s afterparty at Pioneer Bar;
–Copy-and-paste-ready HTML code for you to include on your own site or blog (see above), or to manufacture fliers for distribution in Tulsa, Tuscon or wherever else the Gems series unspools;
–The widely reported collection of video podcasts documenting the making of and subsequent distribution headaches afflicting Monsters;
–A page where visitors can request stickers for planting all over their hometowns.
Visitors can also request updates for upcoming screenings or (eventually) downloadable copies of Monsters. In the meantime, attendees at tonight’s Cinema Village screening can exchange their ticket stubs for a free drink at the party, but pretty much anyone is invited to drop in. And after all the effort they put in to get you there, you would have to block of ice where your heart is to pass it up. Or at least have a really, reeeeeeally great excuse.

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon