By Leonard Klady Klady@moviecitynews.com
High Gear .. with Salsa
Cars maintained the lead in weekend movie going with an estimated $31.5 million but it definitely had competition. Freshman entries Nacho Libre with Jack Black and The Fast and the Furious: Tokyo Drift rang up impressive numbers of $27.5 million and $23.9 million respectively. Other new entries ranked high in the pecking order with good results for the eerily romantic The Lake House in fourth spot with $13.8 million and Garfield: A Tale of Two Kitties disappointing with $7.2 million.
Overall box office approached $150 million for a nice bump of 8% from 2005 when Batman Beginsbowed to $48.7 million. However, revenues declined by 5% from the prior weekend.
Cars saw its gross decline by 48% in its second weekend but still raced past $100 million after nine days in theaters. Disney announced that it was the company’s 50th film to reach that milestone in its 50th anniversary. However, the boast isn’t quite true as it only covers box office since 1982 and doesn’t include such films as Snow White and the Seven Dwarfs or 101 Dalmatians.
Nacho Libre lived up to expectations it would be the top grossing new film in the marketplace but fell slightly short of an anticipated $30 million weekend. The oddball Jack Black comedy drew heavily on a young male crowd as did the third entry in The Fast and the Furious that exceeded tracking expectations. Both films also had strong appeal among minority audiences and both experienced box office declines on Saturday from opening day.
Industry spit balling is rationalizing the drops to an audience motivated to see films on opening day. However, it’s also possible we’re seeing a slight effect from World Cup fever. Though Football mania in America is tame alongside the frenzy in Europe and Latin territories, both Nacho and Drift had more than 30% of their audiences composed of Hispanics according to opening day exit polling.
The Lake House, adapted from a Japanese hit movie, effectively tapped a distaff crowd. The combination of marquee value and content could translate into the sort of summer performance level experience two years ago by The Notebook.
The frame’s head scratcher was the Garfield sequel. The appeal of the original indicated a considerably better commercial performance than occurred. It nonetheless had considerable competition from Cars and it’s a curious decision that it was released just one week after the Pixar entry.
Among continuing releases, The Break-Up continues to surprise expectations of considerably steeper weekend box office declines. It’s poised to exceed $100 million next weekend. The session also featured a good hold for A Prairie Home Companion and steady business for An Inconvenient Truth though industry pundits wonder how much more the latter film can be expanded beyond its current compliment of 404 theaters.
Incoming niche entries were once again few and largely undistinguished. The exception wasWordplay, the non-fiction paean to crossword addicts that grossed about $35,000 from three venues.
Weekend Estimates – June 16-18, 2006
| Title | Distributor | Gross (avera | % change | Theater | Cume |
| Cars | BV | 31.5 (7,900) | -48% | 3988 | 114.8 |
| Nacho Libre | Par | 27.5 (8,950) | – | 3070 | 27.5 |
| Fast and the Furious: Tokyo Drift | Uni | 23.9 (7,890) | – | 3027 | 23.9 |
| The Lake House | WB | 13.8 (5,230) | – | 2645 | 13.8 |
| The Break-Up | Uni | 9.6 (3,060) | -53% | 3146 | 92 |
| Garfield: A Tale of Two Kitties | Fox | 7.2 (2,440) | – | 2946 | 7.2 |
| X-Men: The Last Stand | Fox | 7.0 (2,500) | -56% | 2812 | 215.4 |
| The Omen | Fox | 5.2 (1,910) | -67% | 2723 | 46.8 |
| The Da Vinci Code | Sony | 5.0 (2,090) | -52% | 2413 | 198.5 |
| Over the Hedge | Par | 4.0 (1,550) | -61% | 2606 | 138.7 |
| A Prairie Home Companion | Picturehouse | 2.5 (3,250) | -45% | 767 | 8.7 |
| An Inconvenient Truth | Par Classics | 1.7 (4,310) | 16% | 404 | 6.4 |
| Mission: Impossible III | Par | 1.2 (1,180) | -61% | 1002 | 130 |
| Poseidon | WB | .58 (790) | -68% | 730 | 56.5 |
| RV | Sony | .52 (780) | -73% | 668 | 66.4 |
| Weekend Total ($500,000+ Films) | $147.87 | – | — | – | |
| % Change (Last Year) | – | 8% | – | – | – |
| % Change (Last Week) | – | -5% | – | – | – |
| Also debuting/expanding | |||||
| Wordplay | IFC | 35,300 (11,760) | – | 3 | 0.04 |
| Loverboy | Thinkfilm | 13,100 (3,270) | – | 4 | 0.01 |
| Only Human | Magnolia | 8,050 (4,025) | – | 2 | 0.01 |
| Lower City | Palm | 7,820 (7,820) | – | 1 | 0.01 |
| A/K/A Tommy Chong | Blue Chief | 1,120 (1,120) | – | 1 | 0.01 |
Worldwide Grosses: January 1 – June 15, 2006
| X-Men: The Last Stand | Fox | 208,398,600 |
| Ice Age: The Meltdown | Fox | 192,470,228 |
| The Da Vinci Code | Sony | 193,501,251 |
| Over the Hedge | Par | 134,708,468 |
| Mission: Impossible III | Par | 128,819,850 |
| Scary Movie 4 | Weinstein Co | 89,129,412 |
| Failure to Launch | Par | 88,579,458 |
| Inside Man | Uni | 88,231,285 |
| Cars | BV | 83,323,649 |
| The Pink Panther | Sony | 83,137,123 |
| The Break-Up | Uni | 82,429,015 |
| The Chronicles of Narnia * | BV | 82,270,870 |
| Eight Below | BV | 81,612,565 |
| Brokeback Mountain * | Focus | 70,615,735 |
| V for Vendetta | WB | 70,417,840 |
| Big Momma’s House 2 | Fox | 70,165,972 |
| RV | Sony | 65,908,796 |
| Medea’s Family Reunion | Lions Gate | 63,445,832 |
| Underworld: Evolution | Sony | 62,615,442 |
| King Kong * | Uni | 59,422,439 |
* does not include 2005 box office
Domestic Market Share: January 1 – June 15, 2006
| Fox (14) | 737.1 | 18.70% |
| Sony (16) | 686.1 | 17.40% |
| Buena Vista (16) | 474.1 | 12.00% |
| Paramount (8) | 429.5 | 10.90% |
| Universal (11) | 427.6 | 10.90% |
| Warner Bros. (11) | 298.8 | 7.60% |
| Weinstein Co. (9) | 190.7 | 4.80% |
| Lions Gate (10) | 165.8 | 4.20% |
| New Line (7) | 118.9 | 3.00% |
| Focus (7) | 101.4 | 2.60% |
| Fox Searchlight (7) | 95.3 | 2.40% |
| Sony Classics (13) | 47.1 | 1.20% |
| DreamWorks (3) | 24.7 | 0.60% |
| MGM (1) | 22.4 | 0.60% |
| Other * (144) | 123.3 | 3.10% |
| * none greater than 0.5% | 3942.8 | 100.00% |
