MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

Sharon Stone: Nigerian blend

in Mwegi, Botswana’s only independent daily newspaper, Ofe Motiki reports on how Nigerian movies are conquering Africa’s marketplace: “Many people love them and find them irresistible mostly because of their familiar story lines. Nigerian movies are a household name all over the country and Francistowners blacksharon036_34.jpgare no exception. Even though the whole cinematography of the movies is not of the best quality, a lot of people are in love with them. The common wrong use of abjectives, nouns and verbs are all ignored and laughed at as in most homes people remain glued to their television sets when these movies are showing. Some say that the reason they love them is because they can easily relate to them. The Chinese and Indian businessmen have realised that they can easily cash in on these movies and a lot of them are sold on the popular three-in-one or five-in-one packages. All the movies that are aired on Mnet Africa can be found in various shops in Francistown and are so in demand that even the street hawkers at the bus ranks are cashing in. The names of the movies are not only appealing but catchy too, names like, the Corridors of Power, Father and Son [and] Sharon Stone… Maniral Islam of Tricon Traders in Francistown hawkers567.jpgconfirms that many people buy Nigerian movies in his shop. He says he always has the movies in stock though he sometimes runs out of them and has to place emergency orders as they are in demand. “I also watch them and always have their DVDs playing in the shop. It is easy to relate to them maybe because they are African,” said Islam… Another Francistown resident Kobamelo Mosheno says that she began watching them last year and has never stopped. “I don’t think I will ever stop watching them and I now know the real names of all the actors and actresses. I have quite a collection of Nigerian DVDs at home and when I have enough money to subscribe to Dstv, I always make it a point to watch Channel 102 because of all the channels that Dstv offers that is where action happens,” says Mosheno. She explains that what she loves best about the movies is the ending where she gets a thrill from seeing the bad guy being punished. She, however, complains about the music in the movies, which often makes it difficult for her to hear what the characters are saying. She adds that it is important for locals to support fellow Africans as the film industry in Africa can only grow if Africans support each other.”

Be Sociable, Share!

Comments are closed.

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon