

By David Poland poland@moviecitynews.com
Eye To Eye With the Pang Brothers
John Hodgman of The Daily Show visited Danny and Oxide Pang on the set of THE MESSENGERS, their forthcoming English-language horror movie, to write this profile for the New York Times Magazine.
Though it’s not exactly news that Asian horror directors have crossed over with U.S. audiences (J-horror gave way to K-horror. The Pangs come from Hong Kong.) The New York Times piece focuses on the Pangs collaboration with Sam Raimi and Rob Tapert’s Ghost House Productions. Though Raimi’s biggest success was in mainstream film (SPIDER-MAN) and TV (XENA, WARRIOR PRINCESS), Ghost House has allowed him to get back to the genre that he began with. Interestingly, many of the international filmmakers he’s now working with were influenced by his earliest work on the EVIL DEAD movies.
For all aspiring screenwriters, the formula for thrills is right here on the page: “Initially, Raimi and Tapert thought they would give a Ghost House movie a very specific, recognizable structure, going back to the formula they had teased out of the drive-in. “We did start with a very hard formula of five sequences of six minutes of suspense,” Raimi recalled, “no less than 18 scares. Because we knew that three or four would be cut, and three or four wouldn’t work, but we’d end up with 10 or 11 really jolting, leap-out-of-your-seat moments for the audience.”
Hodgman also illustrates something that I’ve often wondered about: how do directing teams divide their work? With the Pangs, there are Oxide days and Danny days — they alternate who is in charge.