Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Reeler Link Dump: 'What Did I Miss?' Edition


Wherein your humble editor wades through a week’s worth of headlines in 15 minutes, out of sheer compulsion if not necessity:
–Anita Gates cooked up a Sherrybaby souffle in Saturday’s NY Times, featuring a tour through director Laurie Collyer’s “white-bread” New Jersey milieu. the filmmaker claims to have gotten Jersey out of her system; her star Maggie Gyllenhaal, however, revealed her sense that she has a whole script’s worth of topless scenes she has yet to shoot.
–In other New Jersey news, it’s nice to see director Davis Guggenheim cashing in his Inconvenient Truth meal ticket for a shot at directing the formidable tandem of his wife Elisabeth Shue and her brother Andrew. Set for a 2007 release by Picturehouse, and according to a studio note, “inspired by real life events in the Shue family, Gracie is the story of a 16-year-old girl who, after a family tragedy changed her life, fought for and won the right for girls everywhere to play competitive team soccer.” Shooting begins today in Englewood. Run.
–From Cindy Adams’ column today: “Marcia Cross hates sex scenes. Says stripping off and making out in front of a crew is ’embarrassing.’ Yeah? No kidding.” Straphangers around New York throw up in their mouths.
Cinecultist and beloved Reeler sub Karen Wilson has a few words with Jonas Mekas about his ongoing 365-film iPod project: “I have been working now for about three months and I finished about 60, 65 of them, and I will continue for quite some time. Though I’m involving other people, like Scorsese, Jarmusch, John Waters, and Virginie Marchand is doing 10 iPods in India, in Bollywood.” Leave it to an 82-year-old man to make me feel like a gross underachiever.
–Film Forum sends word that director Terry Gilliam will be in the house to introduce an Oct. 3 screening of Time Bandits, programmed as part of the theater’s upcoming Monty Python series. Tideland questions are more than welcome; Brothers Grimm inquiries not so much.
–Meanwhile, fashion designer and cinema dabbler agnès b. will be at BAM Oct. 9 to introduce a screening of Reflections in a Golden Eye, which she chose as one of nine American films to screen in October’s agnès b. Presents series.
Quit, fired or contract expired: Really, it is all just one hair-splitting way after another of saying that Tom Cruise needs to come to the Baby Jesus.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon