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David Poland

By David Poland poland@moviecitynews.com

More Flags…

Here is the English language trailer for Flags of Our Fathers & Letters From Iwo Jima… which is subtitled in French AND English, when the Japenese are speaking.
We are the world.
ADDED – The QT Trailer for The Good Shepherd

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8 Responses to “More Flags…”

  1. mutinyco says:

    All we’re missing is the Stevie Wonder/Bruce Springsteen duet…

  2. Mr. Gittes says:

    Hey David, you should check out “The Good Shepherd” trailer. Now that looks like an Oscar contender.

  3. David Poland says:

    Where is it, Jake?

  4. Me says:

    The Good Shepherd looks boring from that trailer. Honestly, with Matt Damon and the subject matter, it begs the comparison to the Bourne movies, and it doesn’t compare well.
    I’m curious about Flags, but it could be just a decent war movie. I haven’t seen anything that makes it stand out. If they started showing anything about the fallout of the men in the Iwo Jima picture, their families and the homefront’s need for heroes, as I thought the book was at least partially about (according to the Amazon.com description), I’d probably feel differently.
    We’ll see – Oscar is completely open right now.

  5. Lota says:

    The Flags trailer doesn’t make the movie look interesting to me.
    The Good Shephard trailer has a lot of trite dialog in it, but Matt Damon looks decent in it. WIlliam Hurt is one of my favorite actors and I would see the movie anyway simply because he’s in it.

  6. austin111 says:

    Uh, I hate to say this because I really do like Damon, especially when he’s in his kickass Bourne mode, but here he just looks like the wrong actor for the part — kind of a weaselly guy with nerd glasses living the country club life with Angelina (of all people) and working in a covert government operation seems more appropriate to, ummm, somebody else. Whaddaya think?

  7. wongjongat says:

    judging from the Flags trailer, I’d say they were setting up Adam Beach as Oscar bait. Supporting actor perhaps? And they don’t show hide nor hair of Paul Walker or Jamie Bell. The film seems to belong to Bradford, Philippe, and Beach.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon