

By David Poland poland@moviecitynews.com
Been There, 'Saw' That': TIME Rings The "Horror Is Hot" Bell
Have you heard? The Young People of Today love horror movies? Sometimes they love scary slashermovies with Roman numerals in the titles. And sometimes they scary, subtle supernatural horror movies with lank haired Asian girl ghosts. Right now they love gore-filled disembowel-oramas.
Yes, horror is hot again, as it always is. But why does this kind of horror film touch a nerve?
TIME, Oct. 30, 2006.
Rebecca Winters Keegan: The Splat Pack: Wondering where all those ultraviolent movies are coming from? Meet horror’s new blood.
“People say, ‘How can you put this stuff out there in the world?’ Well, it’s already out there,” says Eli Roth. He appeared on Fox News and proclaimed that it was because of George Bush, Dick Cheney and Donald Rumsfeld that Americans are watching horror: “You’re so scared that you want to scream.”
For a much earlier and more thoughtful look at this trend, see USA Today’s
USA Today, Oct. 25. 2004. Susan Wloszczyna, “Extreme Cinema Returns With a Vengeance”
“I definitely love to be scared,” says James Wan, Saw’s director. “It draws the primal side out of you.”
Or as screenwriter Leigh Whannell, who also co-stars in Saw, puts it: “Humans are still violent animals, and you need to get that out. The killer has done a lot of the work for you by exorcising your subconscious for a while.”
Some cite The Passion of the Christ as an example of the new tolerance for extreme viewing.
And for a template of the Horror = $ = ? story, here’s Time’s 2005 piece.
Newsweek, April 3, 2006.
Devin Gordon: “US Audiences Hungry for Blood”
One prominent critic views the trend as torture porn:
New York Magazine, Feb. 6, 2006.
David Edelstein: Why Has America Gone Nuts for Blood, Guts and Sadism?
“The issue of where the spectator’s sympathies lie at violent movies has always been a complicated one. But there’s no doubt that something has changed in the past few decades. Serial killers occupy a huge—and disproportionate—share of our cultural imagination: As potential victims, we fear them, yet we also seek to identify with their power…
[Watching IRREVERSIBLE..after the first two minutes] I didn’t understand why I had to be tortured, too. I didn’t want to identify with the victim or the victimizer.”
About that TIME trend piece.
Does Neil Marshall, a director of action-suspense movies (The Descent, Dog Soldiers), in which much of the horror remains off screen, really have all much in common with Rob Zombie, Eli Roth and Wan/Whannell, who made ultraviolent, show-all, hear-all unapologetically sadistic films in the style of drive in horror movies?