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Ray Pride

By Ray Pride Pride@moviecitynews.com

The world's stroppiest actors

Winnowing the clip file, I came across an article I wrote for a British magazine that’s never been online: a search for the ‘World’s Stroppiest Actors,” or in Left Coast, difficult talent. Here’s the opening; the link takes you to the rest.
WARREN BEATTY WILL NOT BE SPEAKING WITH YOU. Burned by journalists in the 1960s, Beatty was one of the first Hollywood bigs who refused to submit to the indignity of journalistic interrogation. Adam Sandler’s used his box-office clout to resist interviews for his latest comedies, and you can’t blame him. How many times can you answer the same questions about your life, your loves, your latest movie? There are actors like Tom Hanks or Harrison Ford who soldier onward, revealing little but at least making the gesture. Tommy_Lee_Jones_8265.jpgTom Cruise is all smiles and intense eye contact, a shining exemplar of all the self-help non sequiturs that stream from his anecdotes. Tom Hanks is all sunlight and jollies. He doesn’t say much, but it’s always with lighthearted good-cheer. While Ford does the circuit, he telegraphs answers shorter than the dialogue of any character he’s every played. “I do this because it’s part of my job, I do this because, what’s the word,” he told me recently. “It’ll come to me.” He slow-burns that famous smile, nearly a smirk. “I’m a profit participant.”
Yet those luckless artistes earning less than $20 million a picture are contractually obligated to meet the ladies and gentlemen of the press. Most Hollywood publicity is manufactured during an exhausting weekend-long clusterfuck, day-long series of seven-minute television interviews and twenty-five minute roundtables where journalists fire their impertinent (or idiotic) questions at increasingly punchy performers. We’re all working here, you want to shout at the stroppy lot.” [More at the link, including Mr. Jones on what makes a good dog good.]

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon