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David Poland

By David Poland poland@moviecitynews.com

The Battle Of The Publicists

One thing that came out of this morning was a fight between Fox and Paramount about who has more cumulative nods (meaning all divisions)
Here

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8 Responses to “The Battle Of The Publicists”

  1. William Goss says:

    Giving Mansell a nod might have been the single smartest move they made.

  2. crazycris says:

    like kids comparing toys… pfffffffffft!!!

  3. Isn’t The Fountain Warner Bros?

  4. Tofu says:

    Twentieth Century-Fox is the Non-US distributor for The Fountain if that counts for anything.
    Fox Atomic is striking me as a what Dimension Films was to Miramax.

  5. EDouglas says:

    Doesn’t Warner Bros end up with more than both of them if you count all the noms for The Departed, Letters (and Flags), Blood Diamond, The Fountain, Happy Feet, etc. etc?

  6. palmtree says:

    WB does have more, especially if you count in New Line’s nods for Little Children.

  7. Tofu says:

    Well if you go the full Time-Warner route…
    DRAMA
    The Departed (WB)
    Little Children (NL)
    ACTRESS (DRAMA)
    Kate Winslet – Little Children (NL)
    ACTOR (DRAMA)
    Leonardo DiCaprio – Blood Diamond (WB)
    Leonardo DiCaprio – The Departed (WB)
    FOREIGN-LANGUAGE FILM
    Letters from Iwo Jima (WB + DW)
    Pan’s Labyrinth (WB)
    ANIMATED FILM
    Happy Feet (WB)
    SUPPORTING ACTOR
    Jack Nicholson – The Departed (WB)
    Mark Wahlberg – The Departed (WB)
    DIRECTOR
    Clint Eastwood – Flags of Our Fathers (DW + WB)
    Clint Eastwood – Letters from Iwo Jima (WB + DW)
    Martin Scorcese – The Departed (WB)
    SCREENPLAY
    Little Children (NL)
    The Departed (WB)
    ORIGINAL SCORE
    The Painted Veil (WIP)
    The Fountain (WB)
    ORIGINAL SONG
    Song of the Heart- Happy Feet (WB)
    That adds up to 18 nominations. 14 for WB, 3 for New Line, and 1 for WIP.

  8. Josh Massey says:

    Wow, Drudge is featuring a huge “For Your Consideration” banner for “Children of Men” – featuring a quote from Wells, no less.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon