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David Poland

By David Poland poland@moviecitynews.com

Three Needles: Indie Cinema on Showtime


In recognition of World AIDS Day, Showtime cable TV network is airing two independent films, THREE NEEDLES and BEAT THE DRUM – two films about the global pandemic with an international focus. Three Needles played at festivals and is now in theatres in a few North American cities, but far more people will see the film on the premium cable network. Wherever you are, check them out.

THREE NEEDLES explores the lives of three people after they come in contact with the HIV virus. Director Thom Fitzgerald (THE HANGING GARDEN) is reported to have revised the film since its debut at the Toronto Film Festival. In the Chinese story, a blood smuggler (Lucy Liu) unwittingly unleashes a deadly plague in a farming village. In Canada, a struggling porn actor (Shawn Ashmore) fakes his HIV status in order to keep working. And in South Africa, a religious novice (Chloe Sevigny) strays from her mission to raise a family of AIDS orphans. (Showtime, Mon. Dec. 4, 9pm). Also look for replays of BEAT THE DRUM, a South African-made drama that premiered on Dec. 1. Director David Hickson tells three stories of three people: an orphan (Junior Singo) who leaves his AIDS-ravaged village for Johannesburg, a truckdriver whose on-the-downlow detours endanger his wife’s life, and a wealthy lawyer who learns he is HIV positive.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon