Central Ohio Film Critics

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January 12, 2007

Best Picture
Children of Men

Best Direction
Martin Scorsese, The Departed
Runner up:Alfonso Cuarón, Children of Men

Best Actor
Leonardo DiCaprio, The Departed
Runner up: Sacha Baron Cohen, Borat

Best Actress
Helen Mirren, The Queen
Runner up: Meryl Streep, The Devil Wears Prada

Best Supporting Actor
Eddie Murphy, Dreamgirls
Runner up: Alan Arkin, Little Miss Sunshine

Best Supporting Actress
Jennifer Hudson, Dreamgirls
Runner up: Rinko Kikuchi, Babel

Best Ensemble
The Departed
Runner up: Little Miss Sunshine

Actor of the Year
For An Exeplary Body Of Work
Clive Owen, Children of Men/Inside Man
Runner up:Leonardo DiCaprio, Blood Diamond/The Departed

Breakthrough Film Artist
Jennifer Hudson, Dreamgirls
Runner up: Sacha Baron Cohen, Borat

Best Cinematography
Dean Semler, Apocalypto
Runner up: Guillermo Navarro, Pan’s Labyrinth

Best Screenplay – Original
Rian Johnson, Brick
Runner up: Michael Amdt, Little Miss Sunshine

Best Screenplay – Adapted
William Monahan, The Departed
Runner up: Alfonso Cuarón, Timothy J. Sexton, David Arata, Mark Fergus, Children of Men

Best Documentary
An Inconvenient Truth
Runner up: Wordplay and Jesus Camp (tie)

Best Foreign Language Film
Pan’s Labyrinth
Runner up: Letters From Iwo Jima

Best Animated Film
Runner up: Monster House

Best Overlooked Film
Runner up: The Descent

Top Ten Films
1. Children of Men
2. The Departed
3. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
4. Pan’s Labyrinth
5. Little Miss Sunshine
6. Brick
7. United 93
8. Babel
9. Thank You for Smoking
10. Casino Royale

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon