Online Film Critics Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012 | 2013

BEST PICTURE
United 93

BEST DIRECTOR
Martin Scorsese – The Departed

BEST ACTOR
Forest Whitaker – The Last King of Scotland

BEST ACTRESS

Helen Mirren – The Queen

BEST SUPPORTING ACTOR
Jackie Earle Haley – Little Children

BEST SUPPORTING ACTRESS
Abigail Breslin – Little Miss Sunshine

BEST ORIGINAL SCREENPLAY
Pan’s Labyrinth

BEST ADAPTED SCREENPLAY
Children of Men

BEST CINEMATOGRAPHY
Children of Men

BEST EDITING
United 93

BEST ORIGINAL SCORE
The Fountain

BEST DOCUMENTARY
An Inconvenient Truth

BEST FOREIGN LANGUAGE FILM
Pan’s Labyrinth (Mexico)

BEST ANIMATED FILM
A Scanner Darkly

BREAKTHROUGH FILMMAKER
Jonathan Dayton & Valerie Faris – Little Miss Sunshine

BREAKTHROUGH PERFORMER
Sacha Baron Cohen – Borat

BEST PICTURE
Babel
Children Of Men
The Departed
Pan’s Labyrinth
United 93

BEST DIRECTOR
Alfonso Cuaron – Children of Men
Guillermo del Toro – Pan’s Labyrinth
Paul Greengrass – United 93
Alejandro Gonzalez Inarritu – Babel
Martin Scorsese – The Departed

BEST ACTOR
Sacha Baron Cohen – Borat
Leonardo Di Caprio – The Departed
Ryan Gosling – Half Nelson
Peter O’Toole – Venus
Forest Whitaker – The Last King of Scotland

BEST ACTRESS

Penelope Cruz – Volver
Judi Dench – Notes On A Scandal
Helen Mirren – The Queen
Meryl Streep – The Devil Wears Prada
Kate Winslet – Little Children

BEST SUPPORTING ACTOR
Alan Arkin – Little Miss Sunshine
Jackie Earle Haley – Little Children
Eddie Murphy – Dreamgirls
Jack Nicholson – The Departed
Mark Wahlberg – The Departed

BEST SUPPORTING ACTRESS
Adriana Barraza – Babel
Cate Blanchett – Notes on a Scandal
Abigail Breslin – Little Miss Sunshine
Jennifer Hudson – Dreamgirls
Rinko Kikuchi – Babel

BEST ORIGINAL SCREENPLAY
Babel
Little Miss Sunshine
Pan’s Labyrinth
The Queen
United 93

BEST ADAPTED SCREENPLAY
Children of Men
The Departed
Little Children
The Prestige
Thank You For Smoking

BEST CINEMATOGRAPHY
Apocalypto
Babel
Children of Men
The Fountain
Pan’s Labyrinth

BEST EDITING

Babel
Children Of Men
The Departed
The Fountain
United 93

BEST ORIGINAL SCORE
Babel
The Fountain
The Illusionist
Notes On A Scandal
Pan’s Labyrinth

BEST DOCUMENTARY
An Inconvenient Truth
Dave Chappelle’s Block Party
Dixie Chicks: Shut Up and Sing
Jesus Camp
Neil Young: Heart Of Gold

BEST FOREIGN LANGUAGE FILM
The Death of Mr. Lazarescu (Romania)
L’Enfant (Belgium)
Pan’s Labyrinth (Mexico)
Volver (Spain)
Water (India)

BEST ANIMATED FILM
Cars
Happy Feet
Monster House
Over the Hedge
A Scanner Darkly

BREAKTHROUGH FILMMAKER
Jonathan Dayton & Valerie Faris – Little Miss Sunshine
Ryan Fleck – Half Nelson
Rian Johnson – Brick
Neil Marshall – The Descent
Jason Reitman – Thank You for Smoking

BREAKTHROUGH PERFORMER
Sacha Baron Cohen – Borat
Shareeka Epps – Half Nelson
Jennifer Hudson – Dreamgirls Rinko Kikuchi – Babel

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon