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Ray Pride

By Ray Pride Pride@moviecitynews.com

Putting the EW in Ewwwwwwww

Oh, Lord, this press release just came sailing over the transom: Entertainment Weekly (which likes to be called EW, which I presume they expect to be pronounced E-W) touts their Sundance bloggers: Billy Baldwin, Elle Fanning, Rainn Wilson and Tara Reid. Blogs Wilson, who acts Catalogin New Line topper Bob Shaye‘s The Last Mimzy, which screens for free on Tuesday night: “Hello everyone on the internet and in the world of entertainment. It’s me, Rainn Wilson, international superstar… promoting myself as un-official [sic] “spokesman of a generation” and gynecologist to the stars… I’m here because of the greatest movie ever made, The [L]ast Mimzy… I am actually raped by Dakota Fanning in this film. It was very disturbing and is causing quite an uproar in the blogosphere… So anyhoo, check out the family sci-fi epic adventure, The Last Mimzy and you will see my thighs. Good-bye.” Tara Reid: “HI its Tara Reid and i’m in Sundance its freezing here but alot of fun and alot of work my movie premieres tonight and i’m really excited.” Baldwin? “What can I tell ya… I don’t know what bothers me more about Sundance: all of the free shit that they give to the rich and famous who don’t need it, or the way that I behave when thrown into the den of swag. I can sit here and pretend that I’m above it all, but in reality, after being given free iPods and Razr telephones, jewelry and vacations, if my grandmother–may she rest in peace–stood between me and the last Philips flat screen television, I’d lay her out right on her ass for that bad boy. I hired a publicist to come here with me because I had two films…. She wound up becoming my swag mule, schlepping the hoards up and down Main Street so that I didn’t look like the gluttonous whore that I am in front of the throngs of media and paparazzi.” [Apparently Carrot Top was not available to serve.]

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon