Screen Actors Guild

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THEATRICAL MOTION PICTURES

Outstanding Performance
by a Cast in a Motion Picture
Little Miss Sunshine

Outstanding Performance
by a Female Actor in a Leading Role
Helen Mirren – The Queen

Outstanding Performance
by a Male Actor in a Leading Role
Forest Whitaker – The Last King of Scotland

Outstanding Performance
by a Female Actor in a Supporting Role
Jennifer Hudson – Dreamgirls

Outstanding Performance
by a Male Actor in a Supporting Role
Eddie Murphy – Dreamgirls

PRIMETIME TELEVISION

Outstanding Performance
by an Ensemble in a Drama Series
Grey’s Anatomy

Outstanding Performance
by a Male Actor in a Drama Series
Hugh Laurie – House

Outstanding Performance
by a Female Actor in a Drama Series
Chandra Wilson – Grey’s Anatomy

Outstanding Performance
by a Male Actor in a Television Movie or Miniseries
Jeremy Irons – Elizabeth I

Outstanding Performance
by a Female Actor in a Television Movie or Miniseries
Helen Mirren – Elizabeth I

Outstanding Performance
by a Male Actor in a Comedy Series
Alec Baldwin – 30 Rock

Outstanding Performance
by a Female Actor in a Comedy Series
America Ferrera – Ugly Betty

Outstanding Performance
by an Ensemble in a Comedy Series
The Office

Screen Actors Guild Awards 43rd Annual Life Achievement Award
Julie Andrews

The Nominations
Nominations: January 4, 2007
Awards: January 28, 2007

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
Leonardo DiCaprio / BLOOD DIAMOND
Ryan Gosling / HALF NELSON
Peter O’Toole / VENUS
Will Smith / THE PURSUIT OF HAPPYNESS
Forest Whitaker / THE LAST KING OF SCOTLAND

Outstanding Performance by a Female Actor in a Leading Role
Penelope Cruz / VOLVER
Judi Dench / NOTES ON A SCANDAL
Helen Mirren / THE QUEEN
Meryl Streep / THE DEVIL WEARS PRADA
Kate Winslet / LITTLE CHILDREN

Outstanding Performance by a Male Actor in a Supporting Role
Alan Arkin / LITTLE MISS SUNSHINE
Leonardo DiCaprio / THE DEPARTED
Jackie Earle Haley / LITTLE CHILDREN
Djimon Hounsou / BLOOD DIAMOND
Eddie Murphy / DREAMGIRLS

Outstanding Performance by a Female Actor in a Supporting Role
Adriana Barraza / BABEL
Cate Blanchett / NOTES ON A SCANDAL
Abigail Breslin / LITTLE MISS SUNSHINE
Jennifer Hudson / DREAMGIRLS
Rinko Kikuchi / BABEL

Outstanding Performance by a Cast in a Motion Picture
BABEL
BOBBY
THE DEPARTED
DREAMGIRLS
LITTLE MISS SUNSHINE
PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
Thomas Haden Church / BROKEN TRAIL
Robert Duvall / BROKEN TRAIL
Jeremy Irons / ELIZABETH I
William H. Macy / NIGHTMARES & DREAMSCAPES
Matthew Perry / THE RON CLARK STORY –

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Annette Bening / MRS. HARRIS
Shirley Jones / HIDDEN PLACES
Cloris Leachman / MRS. HARRIS
Helen Mirren / ELIZABETH I
Greta Scacchi / BROKEN TRAIL

Outstanding Performance by a Male Actor in a Drama Series
James Gandolfini / THE SOPRANOS
Michael C. Hall / DEXTER
Hugh Laurie / HOUSE
James Spader / BOSTON LEGAL
Kiefer Sutherland / 24

Outstanding Performance by a Female Actor in a Drama Series
Patricia Arquette / MEDIUM
Edie Falco / THE SOPRANOS
Mariska Hargitay / LAW & ORDER: SPECIAL VICTIMS UNIT
Kyra Sedgwick / THE CLOSER
Chandra Wilson / GREY’S ANATOMY

Outstanding Performance by a Male Actor in a Comedy Series
Alec Baldwin / 30 ROCK
Steve Carell / THE OFFICE
Jason Lee / MY NAME IS EARL
Jeremy Piven / ENTOURAGE
Tony Shalhoub / MONK

Outstanding Performance by a Female Actor in a Comedy Series
America Ferrera / UGLY BETTY
Felicity Huffman / DESPERATE HOUSEWIVES
Julia Louis-Dreyfus / THE NEW ADVENTURES OF OLD CHRISTINE
Megan Mullally / WILL & GRACE
Mary-Louise Parker / WEEDS
Jaime Pressly / MY NAME IS EARL

Outstanding Performance by an Ensemble in a Drama Series
24
BOSTON LEGAL
DEADWOOD
GREY’S ANATOMY
THE SOPRANOS

Outstanding Performance by an Ensemble in a Comedy Series
DESPERATE HOUSEWIVES
ENTOURAGE
THE OFFICE
UGLY BETTY
WEEDS

Screen Actors Guild Awards 43rd Annual Life Achievement Award
Julie Andrews

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon