St. Louis Film Critics Association

2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

Best Picture
The Departed

Best Actor
Forest Whitaker (The Last King Of Scotland)

Best Actress
Helen Mirren (The Queen)

Best Supporting Actor
Djimon Hounsou (Blood Diamond)

Best Supporting Actress
Jennifer Hudson (Dreamgirls)

Best Director
Martin Scorsese (The Departed)

Best Screenplay
The Queen

Best Foreign Language Film
Pan’s Labyrinth

Best Documentary
Inconvenient Truth

Best Cinematography
Painted Veil

Best Comedy or Musical
Little Miss Sunshine

Best Animated or Children’s Film
Cars

Best Special Effects
Pirates of the Caribbean: Dead Man’s Chest

Best Overlooked Film
Running With Scissors

Most Original, Innovative or Creative Film
United 93

Nominations
Nominations: January 6, 2007

Best Picture
Blood Diamond
The Departed
Flags of Fathers
The Good Shepherd
The Queen
United 93

Best Actor
Forest Whitaker (The Last King Of Scotland)
Leonardo DiCaprio (Blood Diamond)
Matt Damon (The Good Shepherd)
Will Smith (The Pursuit of Happyness)
Ryan Gosling (Half Nelson)
Aaron Ekhart (Thank You For Smoking)

Best Actress
Judi Dench (Notes on a Scandal)
Helen Mirren (The Queen)
Kate Winslet (Little Children)
Annette Benning (Running with Scissors)
Juliette Binoche (Breaking and Entering)

Best Supporting Actor
Adam Beach (Flags of Our Fathers)
Ben Affleck (Hollywoodland)
Djimon Hounsou (Blood Diamond)
Eddie Murphy (Dreamgirls)
Jack Nicholson (The Departed)
Steve Carell (Little Miss Sunshine)

Best Supporting Actress
Abigail Breslin (Little Miss Sunshine)
Jennifer Hudson (Dreamgirls)
Meryl Streep (Devil Wears Prada)
Rinko Kikuchi (Babel)
Jill Clayburgh (Running with Scissors)

Best Director
Clint Eastwood (Flags of our Fathers)
Edward Zwick (Blood Diamond)
Martin Scorsese (The Departed)
Paul Greengrass (United 93)
Robert DeNiro (The Good Shepherd)
Stephen Frears (The Queen)

Best Screenplay
Bobby
Little Children
Little Miss Sunshine
Thank You for Smoking
The Departed
The Queen

Best Foreign Language Film
Apocalypto
Lives Of Others
Pan’s Labyrinth
Volver
Fateless
Three Times

Best Documentary
Inconvenient Truth
Why We Fight
Iraq For Sale
The Heart of the Game
Shut Up And Sing

Best Cinematography
Painted Veil
Blood Diamond
Flags of Our Fathers
The Departed
Babel
Hollywoodland

Best Comedy or Musical
Little Miss Sunshine
Keeping Mum
Dreamgirls
Borat: Cultural Learnings of America for Make Benefit Glorious
Nation of Kazakhstan
Thank You for Smoking
Jackass: Number Two

Best Animated or Children’s Film
Happy Feet
Over the Hedge
Cars
Monster House
Charlotte’s Web

Best Special Effects
The Fountain
Pan’s Labyrinth
Pirates of the Caribbean: Dead Man’s Chest
V For Vendetta
Superman Returns
District B-13

Best Overlooked Film
Brick
Running With Scissors
Brothers of the Head
Mountain Patrol: Kekexili
Keeping Up With the Steins

Most Original, Innovative or Creative Film
The Science Of Sleep
Little Miss Sunshine
Brick
United 93

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon