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David Poland

By David Poland poland@moviecitynews.com

The Daily David – Oscar Viewing, Pt 1 of 2


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7 Responses to “The Daily David – Oscar Viewing, Pt 1 of 2”

  1. Harley says:

    Wow, that’s….? Buy a mirror for chrissakes!

  2. martin says:

    Nice lighting Dave, what pit of hell was that shot in?
    Does Monaghan remind anyone else of Kevin Smith?
    What was up with the retarded “factoids”? Like the POTC best visual effects win, announcer talking about how the guy was thinking about another profession because a hurricane hit during production. Sure, visual effects includes stuff on set, but first thing that comes to mind is people in front of computers in post production. Just a dumbass piece of trivia.
    And if you ask me, the lowpoint of all these awards shows is the animated characters on stage/in audience. Always seems forced and rarely amusing.

  3. Tofu says:

    ???
    Everyone at least were interested in the Barry Lyndon bit.

  4. Lota says:

    you cut off Monaghan’s tribute to Lawrence/Otoole, you big dummy. [I apologize if it were accidental.] You looked fairly unresponsive or unsurprised Dave. Couldn;t you at least say “oh hell no” for wins you were unhappy about, or “Yes! there is a God!” for wins you were happy with? You need a hip flask.
    From the way you edited it, it almost appeared as though Gwynneth borrowed Nicole’s “wig” I mean hair (you know what I mean). Eerie.
    I sure dug being able to see George Miller’s and Robert Downey jr’s hair again.
    i had a beagle growing up, he was my best pal. We used to watch the Three Stooges together (and he Really watched them too).

  5. waterbucket says:

    What the…! At least make some comment instead of just nodding your head, man. Worst. David. Video. Ever.

  6. Wellywood Rrrrr says:

    Dave the film-maker is true to his words – ‘I have no problem with films that don’t have conventional act structure’.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon