

By David Poland poland@moviecitynews.com
Why Terry Gilliam's TIDELAND Is w e i r d On DVD
Rage, rage, rage against the machine auteur Terry Gilliam thinks — wait — he knows there’s something cockeyed and screwy with ThinkFilm’s DVD treatment of his most recent film TIDELAND. Via FilmIck and Ain’t It Cool News comes word that…
The aspect ratio is messed up.
If you caught the brief film festival and arthouse run of this unforgettably Grotesque adaptation tale filial love and dark childhood fantasies (imagine Dorothy Gale from Kansas with a smack-addict dad), and you made it all the way to the end without puking your guts (I nearly didn’t), the cinematography by Nicola Pecorini was overwhelming. Gilliam, with his background as an illustrator and artist, knows how to compose a shot for maximum effect.
The cinematic TIDELAND’s aspect ratio was 2:35 to 1 — not an uncommon ratio these days, especially not for a film set on the American plains. (The other common ratio is the TV-ish, squarer but still rectangular ratio of 1:85 to 1.) What you’ll pretty much never see is an aspect of 2:25 to 1 – but that’s what Gilliam preferred when he personally mastered the film for DVD, according to a statement that ran on FilmIck
That’s when the tide turned — somebody at ThinkFilm thought: No. Let’s go a different way.
From Ain’t It Cool, the blog post fury, featuring Gillliam and hopping mad cinematographer Pecornini (I regret that we cannot hear the this man’s fabulous Italian accent as he types. There’s nothing like a European director of photography — a painter of light from the land of Leonardo, people! — throwing down.