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David Poland

By David Poland poland@moviecitynews.com

Sunday Estimates by Klady

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9 Responses to “Sunday Estimates by Klady”

  1. EDouglas says:

    Next Sunday, we’re going to look back at this weekend as a heyday. I fully expect next weekend to be one of lowest-grossing weekends in many years.

  2. waterbucket says:

    Why can’t Spiderman 3 open already? That list looks like the Razzie nomination sheet.

  3. martindale says:

    Wow, even holdovers fell pretty hard this weekend.
    Will any movie gross more than $10 million next weekend? I don’t have access to any tracking info, but I can’t see any film other than “Next” grossing that high. I’m not even sure if Next stands a chance.

  4. Rob says:

    Next has to do $10 million no matter how crappy it is. What about The Invisible? Has Disturbia totally stolen its thunder.

  5. William Goss says:

    Any thoughts on TriStar’s ads-free and curiously limited release of that Emily Blunt horror flick, Wind Chill, this weekend?

  6. Saw Disturbia the other night. Not that bad actually, despite the characters making some of the stupidest decisions imaginable. Still, it was watchable and fun in parts and had some decent “scary” moments. The one thing I liked the very most though was the cast playing the kids (Shia LeBeouf and the other two) actually, shock horror, looked their age. Shia is only 20 so it makes sense that he can pass much easier as a 17-year-old than a 26-year-old muscle queen. But still, it was refreshing to see characters that age that looked like people that age.

  7. Oh, and can we all point and laugh at Perfect Stranger. That movie deserved to die and cruel and public death.

  8. Hopscotch says:

    I’d agree with you EDouglas but Hot Fuzz goes wide next week, and I fully expect the buzz on that to lift it’s BO potential considerably.
    And NEXT will probably win the weekend. Sigh.

  9. So, if Next is #1 next week then that means Nicolas Cage has had two #1 films by April. If Grindhouse had made it to #1 then technically he would have had three. Scary.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon