By David Poland poland@moviecitynews.com

59 Songs Tune Up For 2007 Oscar®

Beverly Hills, CA — Fifty-nine songs from eligible feature-length motion pictures are being considered in the Original Song category for the 80th Academy Awards®, the Academy of Motion Picture Arts and Sciences announced today.

The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title:

“Do You Feel Me” from “American Gangster”
“At the Edge of the World” from “Arctic Tale”
“Someday” from “August Rush”
“This Time” from “August Rush”
“Raise It Up” from “August Rush”
“Break” from “August Rush”
“Nothing’s There” from “Badland”
“The Devil’s Lonely Fire” from “Badland”
“A Hero Comes Home” from “Beowulf”
“The Stars of Orion” from “Berkeley”
“Say” from “The Bucket List”
“To Be Surprised” from “Dan in Real Life”
“My Hands Are Shaking” from “Dan in Real Life”
“I’ll Be OK” from “Dan in Real Life”
“December Boys” from “December Boys”
“So Close” from “Enchanted”
“That’s How You Know” from “Enchanted”
“Happy Working Song” from “Enchanted”
“Atkozott Egy Elet” from “56 Drops of Blood”
“O, Atyam!” from “56 Drops of Blood”
“Eleg!” from “56 Drops of Blood”
“A Dream” from “Freedom Writers”
“Lyra” from “The Golden Compass”
“Good Luck Chuck” from “Good Luck Chuck”
“Shut Me Out” from “Good Luck Chuck”
“I Was Zapped by the Lucky Super Rainbow” from “Good Luck Chuck”
“Grace Is Gone” from “Grace Is Gone”
“Lullabye for Wyatt” from “Grace Is Gone”
“Come So Far (Got So Far to Go)” from “Hairspray”
“The Tale of the Horny Frog” from “The Heartbreak Kid”
“China Doll” from “Honeydripper”
“It Will Stay With Us” from “The Hottest State”
“Never See You” from “The Hottest State”
“Society” from “Into the Wild”
“Guaranteed” from “Into the Wild”
“Rise” from “Into the Wild”
“First Amendment Blues” from “Larry Flynt: The Right To Be Left Alone”
“Hello (I Love You)” from “The Last Mimzy”
“Despedida” from “Love in the Time of Cholera”
“Huck’s Tune” from “Lucky You”
“Little Wonders” from “Meet the Robinsons”
“Another Believer” from “Meet the Robinsons”
“Way Back into Love” from “Music and Lyrics”
“PoP! Goes My Heart” from “Music and Lyrics”
“Ordinary People” from “Music Within”
“Pretty Much Amazing” from “Nancy Drew”
“Falling Slowly” from “Once”
“If You Want Me” from “Once”
“Le Festin” from “Ratatouille”
“Land of Quiet Poems” from “Resurrecting the Champ”
“Love Will Still Be There” from “September Dawn”
“Royal Pain” from “Shrek the Third”
“Rule the World” from “Stardust”
“Before It’s Too Late (Sam and Mikaela’s Theme)” from “Transformers”
“Baby Don’t You Cry” from “Waitress”
“Beautiful Ride” from “Walk Hard: The Dewey Cox Story”
“Walk Hard” from “Walk Hard: The Dewey Cox Story”
“Let’s Duet” from “Walk Hard: The Dewey Cox Story”
“Back Where You Belong” from “The Water Horse”

On Tuesday, January 15, the Academy will screen clips featuring each song, in random order, for voting members of the Music Branch in both Beverly Hills and New York City. Following the screenings, members will vote to determine which three, four or five songs become nominees in the category.

To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.

The 80th Academy Awards nominations will be announced on Tuesday, January 22, 2008, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2007 will be presented on Sunday, February 24, 2008, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon