Broadcast Film Critics Association Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012

Best Picture
No Country for Old Men

Best Actor
Daniel Day-Lewis – There Will Be Blood

Best Actress
Julie Christie – Away From Her

Best Supporting Actor
Javier Bardem – No Country for Old Men

Best Supporting Actress
Amy Ryan – Gone Baby Gone

Best Acting Ensemble
Hairspray

Best Director
Joel Coen and Ethan Coen – No Country for Old Men

Best Writer
Diablo Cody – Juno

Best Animated Feature
Ratatouille

Best Young Actor
Ahmad Khan Mahmoodzada – The Kite Runner

Best Young Actress
Nikki Blonsky – Hairspray

Best Comedy Movie
Juno

Best Family Film
Enchanted

Best Picture Made for Television
Bury My Heart at Wounded Knee

Best Foreign Language Film
The Diving Bell and the Butterfly

Best Song
“Falling Slowly”, Glen Hansard and Marketa Irglova, Jesse L. Martin and Cast – Once

Best Composer
Jonny Greenwood – There Will Be Blood

Best Documentary
Sicko

Nominations

Best Picture
American Gangster
Atonement
The Diving Bell and the Butterfly
Into the Wild
Juno
The Kite Runner
Michael Clayton
No Country for Old Men
Sweeney Todd
There Will Be Blood

Best Actor
George Clooney – Michael Clayton
Daniel Day-Lewis – There Will Be Blood
Johnny Depp – Sweeney Todd
Ryan Gosling – Lars and the Real Girl
Emile Hirsch – Into the Wild
Viggo Mortensen – Eastern Promises

Best Actress
Amy Adams – Enchanted
Cate Blanchett – Elizabeth: The Golden Age
Julie Christie – Away From Her
Marion Cotillard – La Vie en Rose
Angelina Jolie – A Mighty Heart
Ellen Page – Juno

Best Supporting Actor
Casey Affleck – The Assassination of Jesse James by the Coward Robert Ford
Javier Bardem – No Country for Old Men
Philip Seymour Hoffman – Charlie Wilson’s War
Hal Holbrook – Into the Wild
Tom Wilkinson – Michael Clayton

Best Supporting Actress
Cate Blanchett – I’m Not There
Catherine Keener – Into the Wild
Vanessa Redgrave – Atonement
Amy Ryan – Gone Baby Gone
Tilda Swinton – Michael Clayton

Best Acting Ensemble
Hairspray
Juno
No Country for Old Men
Sweeney Todd
Gone Baby Gone
Before the Devil Knows You’re Dead

Best Director
Tim Burton – Sweeney Todd
Joel Coen and Ethan Coen – No Country for Old Men
Sidney Lumet – Before the Devil Knows You’re Dead
Sean Penn – Into the Wild
Julian Schnabel – The Diving Bell and the Butterfly
Joe Wright – Atonement

Best Writer
Diablo Cody – Juno
Joel Coen and Ethan Coen – No Country for Old Men
Tony Gilroy – Michael Clayton
Nancy Oliver – Lars and the Real Girl
Sean Penn – Into the Wild
Aaron Sorkin – Charlie Wilson’s War

Best Animated Feature
Bee Movie
Beowulf
Persepolis
Ratatouille
The Simpsons Movie

Best Young Actor
Michael Cera – Juno
Michael Cera – Superbad
Freddie Highmore – August Rush
Ahmad Khan Mahmoodzada – The Kite Runner
Edward Sanders – Sweeney Todd

Best Young Actress
Nikki Blonsky – Hairspray
Dakota Blue Richards – The Golden Compass
AnnaSophia Robb – Bridge to Terabithia
Saoirse Ronan – Atonement

Best Comedy Movie
Dan in Real Life
Hairspray
Juno
Knocked Up
Superbad

Best Family Film
August Rush
Enchanted
The Golden Compass
Hairspray
Harry Potter and the Order of the Phoenix

Best Picture Made for Television
The Company
Bury My Heart at Wounded Knee
Tin Man
The War

Best Foreign Language Film
The Diving Bell and the Butterfly
4 Months, 3 Weeks, and 2 Days
La Vie en Rose
Lust, Caution
The Orphanage

Best Song
“Come So Far”, Queen Latifah, Nikki Blonsky, Zac Efron, Elijah Kelley – Hairspray
“Do You Feel Me”, Anthony Hamilton – American Gangster
“Falling Slowly”, Glen Hansard and Marketa Irglova, Jesse L. Martin and Cast – Once
“Guarenteed,” Eddie Vedder – Into The Wild
“That’s How You Know”, Amy Adams – Enchanted

Best Composer
Marco Beltrami – 3:10 to Yuma
Alexandre Desplat – Lust, Caution
Clint Eastwood – Grace Is Gone
Jonny Greenwood – There Will Be Blood
Dario Marianelli – Atonement
Alan Menken – Enchanted

Best Documentary
Darfur Now
In the Shadow of the Moon
The King of Kong
No End In Sight
SharkwaterSicko

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon