Independent Spirit Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010

BEST FEATURE
Award given to the Producer
* Executive Producers are not listed.

Juno
Producers: Lianne Halfon, John Malkovich, Mason Novick, Russell Smith

BEST DIRECTOR

Julian Schnabel
The Diving Bell and the Butterfly

BEST FIRST FEATURE
Award given to the director and producer

The Lookout
Director: Scott Frank
Producers: Roger Birnbaum, Gary Barber, Laurence Mark, Walter Parkes

JOHN CASSAVETES AWARD
Given to the best feature made for under $500,000
Award given to the writer, director, and producer
* Executive Producers are not listed.

August Evening
Writer/Directpr: Chris Eska
Producers: Connie Hill, Jason Wehling

BEST SCREENPLAY

Tamara Jenkins
The Savages

BEST FIRST SCREENPLAY

Diablo Cody
Juno

BEST FEMALE LEAD

Ellen Page
Juno

BEST MALE LEAD

Philip Seymour Hoffman
The Savages

BEST SUPPORTING FEMALE

Cate Blanchett
I’m Not There

BEST SUPPORTING MALE

Chiwetel Ejiofor
Talk To Me

BEST CINEMATOGRAPHY

Janusz Kaminski
The Diving Bell and the Butterfly

BEST DOCUMENTARY
Award given to the director

Crazy Love
Director: Dan Klores

BEST FOREIGN FILM
Award given to the director

Once
Director: John Carney
( Ireland)

ROBERT ALTMAN AWARD
Given to one film’s director, casting director and its ensemble cast

I’m Not There
Director: Todd Haynes
Casting Director: Laura Rosenthal
Ensemble Cast: Cate Blanchett, Christian Bale, Richard Gere, Heath Ledger
Nominations
BEST FEATURE
Award given to the Producer
* Executive Producers are not listed.

The Diving Bell and the Butterfly
Producers: Kathleen Kennedy, Jon Kilik

I’m Not There
Producers: Christine Vachon, John Sloss, John Goldwyn, James D. Stern

Juno
Producers: Lianne Halfon, John Malkovich, Mason Novick, Russell Smith

A Mighty Heart
Producers: Dede Gardner, Andrew Eaton, Brad Pitt

Paranoid Park
Producers: Neil Kopp, David Cress

BEST DIRECTOR

Todd Haynes
I’m Not There

Tamara Jenkins
The Savages

Jason Reitman
Juno

Julian Schnabel
The Diving Bell and the Butterfly

Gus Van Sant
Paranoid Park

BEST FIRST FEATURE
Award given to the director and producer

2 Days in Paris
Director: Julie Delpy
Producers: Julie Delpy, Christophe Mazodier, Thierry Potok

Great World of Sound
Director: Craig Zobel
Producers: Melissa Palmer, David Gordon Green, Richard Wright, Craig Zobel

The Lookout
Director: Scott Frank
Producers: Roger Birnbaum, Gary Barber, Laurence Mark, Walter Parkes

Rocket Science
Director: Jeffrey Blitz
Producers: Effie T. Brown, Sean Welch

Vanaja
Director: Rajnesh Domalpalli
Producer: Latha R. Domalapalli

JOHN CASSAVETES AWARD
Given to the best feature made for under $500,000
Award given to the writer, director, and producer
* Executive Producers are not listed.

August Evening
Writer/Directpr: Chris Eska
Producers: Connie Hill, Jason Wehling

Owl and the Sparrow
Writer/Director: Stephane Gauger
Producers: Nguyen Van Quan, Doan Nhat Nam, Stephane Gauger

The Pool
Director: Chris Smith
Producer: Kate Noble
Writer: Chris Smith & Randy Russell

Quiet City
Director: Aaron Katz
Producers: Brendan McFadden, Ben Stambler
Writers: Aaron Katz, Erin Fisher, Cris Lankenau

Shotgun Stories
Writer/Director: Jeff Nichols
Producers: David Gordon Green, Lisa Muskat, Jeff Nichols

BEST SCREENPLAY

Ronald Harwood
The Diving Bell and the Butterfly

Tamara Jenkins
The Savages

Fred Parnes & Andrew Wagner
Starting Out in the Evening

Adrienne Shelly
Waitress

Mike White
Year of the Dog

BEST FIRST SCREENPLAY

Jeffrey Blitz
Rocket Science

Zoe Cassavetes
Broken English

Diablo Cody
Juno

Kelly Masterson
Before the Devil Knows You’re Dead

John Orloff
A Mighty Heart

BEST FEMALE LEAD

Angelina Jolie
A Mighty Heart

Sienna Miller
Interview

Ellen Page
Juno

Parker Posey
Broken English

Tang Wei
Lust, Caution

BEST MALE LEAD

Pedro Castaneda
August Evening

Don Cheadle
Talk To Me

Philip Seymour Hoffman
The Savages

Frank Langella
Starting Out in the Evening

Tony Leung
Lust, Caution

BEST SUPPORTING FEMALE

Cate Blanchett
I’m Not There

Anna Kendrick
Rocket Science

Jennifer Jason Leigh
Margot at the Wedding

Tamara Podemski
Four Sheets to the Wind

Marisa Tomei
Before the Devil Knows You’re Dead

BEST SUPPORTING MALE

Chiwetel Ejiofor
Talk To Me

Marcus Carl Franklin
I’m Not There

Kene Holliday
Great World of Sound

Irrfan Khan
The Namesake

Steve Zahn
Rescue Dawn

BEST CINEMATOGRAPHY

Mott Hupfel
The Savages

Janusz Kaminski
The Diving Bell and the Butterfly

Milton Kam
Vanaja

Mihai Malaimare, Jr.
Youth Without Youth

Rodrigo Prieto
Lust, Caution

BEST DOCUMENTARY
Award given to the director

Crazy Love
Director: Dan Klores

Lake of Fire
Director: Tony Kaye

Manufactured Landscapes
Director: Jennifer Baichwal

The Monastery
Director: Pernille Rose Grønkjær

The Prisoner or: How I Planned to Kill Tony Blair
Directors: Petra Epperlein & Michael Tucker

BEST FOREIGN FILM
Award given to the director

4 Months, 3 Weeks and 2 Days
Director: Cristian Mungiu
( Romania)

The Band’s Visit
Director: Eran Kolirin
( Israel)

Lady Chatterley
Director: Pascale Ferran
( France)

Once
Director: John Carney
( Ireland)

Persepolis
Directors: Vincent Paronnaud & Marjane Satrapi
( France)

ROBERT ALTMAN AWARD
Given to one film’s director, casting director and its ensemble cast

I’m Not There
Director: Todd Haynes
Casting Director: Laura Rosenthal
Ensemble Cast: Cate Blanchett, Christian Bale, Richard Gere, Heath Ledger

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon