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David Poland

By David Poland poland@moviecitynews.com

Geek Get Their Movie… Kinda

After a long period of kicking and screaming, The Weinstein Co finally has given in to the very small audience that existed for Fanboys in the first place… at least on DVD.
The real question now is… after getting their way, will they pay to buy this DVD anyway?
Theatrical… if they get 30 screens, it will be a freakin’ miracle.
The press release follows after the jump…


THE WEINSTEIN COMPANY ANNOUNCES PLANS FOR

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6 Responses to “Geek Get Their Movie… Kinda”

  1. RudyV says:

    So why, exactly, did Big Harv shell out for the movie if the didn’t like the premise? Rather than a “subplot” it sounded like the boy’s cancer was the whole point of the flick–a ragtag band treks to Skywalker Ranch, hoping to guilt Lucas into showing this dying boy Episode 1 before he kicks…though seeing Jar-Jar probably would’ve made him wish he’d died BEFORE seeing the flick, back when he might’ve held out some hope that it might be a work of greatness rather than the craptacular it turned out to be.

  2. RudyV says:

    (Personally, I’ve always wondered just how many rabid Star Wars fans died before “Empire” came out, never knowing who Luke’s father was, never hearing the philosophy of Yoda, never seeing a brother and sister kiss…oh, those poor souls.)

  3. jeffmcm says:

    I can’t imagine this movie being any good at all. It sounds like a dumber, nerdier version of Detroit Rock City.

  4. Cadavra says:

    This sounds like the Star Wars version of the old Zemeckis comedy I WANNA HOLD YOUR HAND. Did anyone see STARWOIDS, the documentary about these same kinda geeks?

  5. STARWOIDS….available now through Film Threat DVD 😉

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon