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By Ray Pride Pride@moviecitynews.com

Posted Thursday, April 24th, 2008 - Comments Off on PR of the day: arguing against precedent Expelled's theft of "Imagine" is "fair use"
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PR of the day: arguing against precedent Expelled's theft of "Imagine" is "fair use"

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PR, as received: “EXPELLED Producers to Yoko Ono: Let it Be
( Dallas , TX ) – A new front has been opened in the culture wars. Ben Stein’s EXPELLED: No Intelligence Allowed stunned detractors by opening as the nation’s #10 movie last weekend. Out for less than one week, it has already become one of the top 25 documentaries of all time.
Opponents of the film have attacked everyone and everything in it. They have attacked the producers, the star, the music, and film itself. They have even attacked those who have seen it. Now they want to change the Constitution.
Yoko Ono and others have now filed lawsuits challenging the film’s use and critique of John Lennon’s song Imagine. One of the suits seeks to ban free speech through preliminary injunctive relief which essentially means that they are trying to expel EXPELLED as it is now being shown in theaters.
“If you really listen to the lyrics of Imagine then you realize that it represents everything that the Neo-Darwinists want. ‘Imagine there’s no Heaven…No hell below us…Nothing to kill or die for And no religion too…’ That’s exactly what the Darwinist establishment wants to do: get rid of religion. And that’s what we point out when we play less than 15 seconds of the song and show some of the lyrics on screen,” said Walt Ruloff Executive Producer and CEO of Premise Media.


Executive Producer and Chairman of Premise Media Logan Craft explained, “The fair use doctrine is a well established principle that gives the public the right to freely use portions of copyrighted materials for the purposes of commentary and criticism. While some may not like what we have to say or how we say it, we have the free speech right to do so – just as other political and social commentators have been doing for years.”
Premise did not pursue a license for the song and had no obligation to do so. Unbiased viewers of the film will see that the Imagine clip was used as part of a social commentary in the exercise of free speech. The brief clip – consisting of a mere 10 words – was used to contrast the messages in the documentary and was not used as an endorsement of EXPELLED.
But the irony of this lawsuit was not lost on the film’s star Ben Stein, “So Yoko Ono is suing over the brief Constitutionally protected use of a song that wants us to ‘Imagine no possessions’? Maybe instead of wasting everyone’s time trying to silence a documentary she should give the song to the world for free? After all, ‘imagine all the people sharing all the world…You may say I’m a dreamer But I’m not the only one I hope someday you’ll join us And the World can live as one.'”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon