MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Best Picture

BEST PICTURE
Picture
Studio
Director
Stars
Comment
The Frontrunners (in alphabetical order)
Nov 14
Australia
Fox
Luhrmann
Kidman
Jackman
Baz’ shot at the “Out of Africa” thang
Oct 10
Body of Lies
WB
Scott
DiCaprio
Crowe
Channeling The Departed… Monaghan script….Ridley’s year?
Dec 19
The Curious Case of Benjamin Button
Par
Fincher
Pitt
Fincher with a heart… a real shot with a screnplay that eluded many before this group
Dec 12
Defiance
ParV
Zwick
Craig
Jews Fight Nazis!
Dec 12
Doubt
Mir
Shanley
Streep
PS Hoffman
A mighty drama… a mighty cast
Dec 5

Frost/Nixon
U
Howard
Langella
Sheen
Brilliant stage piece, will nostalgia be strong for voters? Two presidential noms year?
Dec
Gran Torino
WB
Eastwood
Eastwood
Who knows? Clint’s late entry is always the one to watch.
Nov 26
Milk
Focus
Van Sant
Penn
Brolin
Another great story that has taken years to happen…. a political Brokeback?
Dec 26
Revolutionary Road
ParV
Mendes
Winslet
DiCaprio
Pedigree rocks.
Nov 11
The Road
TWC/
MGM
Hillcoat
Theron
Mortensen
Cormac McCarthy again… from the brillaint director of The Proposition
Nov 21
The Soloist
DW
Wright
Downey, Jr
Foxx
Another Skid-Row-Bum-Becomes-Concert-Soloist Flick… Can Wright lay off the schmaltz enough to make keep audiences from getting diabetes?
Oct 17
W.
LGF
Stone
Brolin
Burstyn
The dark horse, thrown-together-at-the-last-minute movie that feels so much light it is Stone’s water after a long trip to the desert
And The Films O’ Potential
Sept 26
Blindness
Mir
Meirelles
J Moore
Ruffalo
Will find some champions, but chafed audiences even at Cannes
Sept 12

Burn After Reading
Focus
Coens
Pitt
McDormand
How can The Coens not get on the list for potential?
Oct 24
The Changeling
U
Eastwood
Jolie
Said to be more commercial than award-y
? Che
?
Soderbergh
Del Toro
Heading to NYFF… but will anyone buy the thing… and will the producers lower the asking price to avoid a Goya’s Ghosts?
Sept 19
The Duchess
ParVan
Dibb
Knightley
Rip That Bodice!
Oct 10 Happy Go Lucky
Mir
Leigh
Hawkins
Leigh always brings some magic and has a lot of Academy appeal
xDec?
Nothing But the Truth
Yari
Lurie
Beckinsale
A political thriller coming out after the election. Huh?
Oct 3
Rachel Getting Married
SPC
Demme
Hathaway
Winger
Demme does wonderful stuff… but wonderful enough to Oscar notions?
Oct 17
The Secret Life of Bees
FoxS
Prince-Bythewood
Latifah
Fanning
So… Dakota gets trained for a spelling bee by Queen Latifah?
Dec 12
Seven Pounds
Sony
Muccino
Smith
A Will Smith feel-good and warm and box office friendly.. but Oscar?
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon