MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

I Broke A Sweat This Morning.

Change, like death, is a funny thing. You may know it

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5 Responses to “I Broke A Sweat This Morning.”

  1. LYT says:

    HuffPo is so successful because they don’t pay anybody (maybe a few, but not most). They expect writers to do it just for the honor of doing it. As do most sites that advertise on Craigslist.
    I don’t know that that’s a workable long-term model.
    But yeah, it is ugly. When I got into criticism, it did seem easier than getting into actual filmmaking, though nowadays I’m finding it easier to get acting roles than reviewer jobs.

  2. Dave Vernon says:

    Dave, I appreciate you sharing what’s going on behind the curtain at MCN. It has become my favorite movie news website and I think you do a great job here. I think these are all important questions to ask. And as opposed to thinking of it as too much candy, I’d suggest you think of it as an amazing opportunity–
    Good luck and we’ll be watching.

  3. frankbooth says:

    “…I’m finding it easier to get acting roles than reviewer jobs.”
    And considering your performance as Daniel Plainview, that’s really saying something!
    (Sorry, couldn’t resist.)

  4. LYT says:

    You watched it, didn’t you? That’s all that matters.

  5. hcat says:

    I always thought it was weird that with all the questions about small business that were brought up in this election, we never asked for your take given that MCN is essentially a small business.
    Am glad you carved a niche before it all went to hell, hope you can weather the storm and provide a safe haven for a few. Kudos on the Voyner hire, I have really enjoyed her stuff so far.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon