By Other Voices voices@moviecitynews.com

Sundance Sales Chart 2009

Film
Section
Sales
Co
Odds
Pros
Cons
First
Screening
Today’s Top Five
Brooklyn’s Finest
Prem
WM/
CAA
2:1
Gere, Cheadle, Hawke, Snipes, Barkin and “Training Day” director doing what they’ve done best: cop drama With all these surefire elements, why does it need a Sundance rampup to sell? 1/16, 6:15p. Eccles
Spread
Prem
CAA/
End
2:1
Gigolo satire from sexpert helmer of “Young Adam” How many good Ashton Kutcher or Anne Heche comedies can you name? 1/17, 9:15p, Eccles
I Love You Phillip Morris
Prem
CAA/
End
2:1
A Carrey/McGregor prison romance from writers of “Bad Santa” First-time helmers tackle subject matter that could go very wrong in the wrong hands. 1/18, 9:30p, Eccles
Other Narratives In Play
Amreeka
Dr Comp
WM
8:1
Sometimes humorous, very topical struggle of Palestinian mom on West Bank
No stars, Iraq war backdrop… it better be great
1/17, 12:15p, Eccles
Cold Souls
DrComp
Cin
4:1
Giamatti, Strathairn, Watson, Ambrose in a unique “metaphysical tragi-comedy”
A metaphysical tragi-comedy
1/17, 5:15p, Racquet Club
Arlen Faber
Dr Comp
CAA/
ICM
4:1
Daniels, Graham, Pucci in romantic tale of reclusive author
Might be too navel-gazing or quirky for its own good
1/18, 5:15p, Racquet Club
Big Fan
DrComp
Andr
Hur
5:1
Good buzz on sports fanatic spoof directed by “The Wrestler” scribe…
…who also wrote “The Onion Movie.” Star Patton Oswalt an unproven commodity
1/18, 8p, Racquet Club
Black Dynamite
Mid
End
8:1
Blaxploitation satire with potential for cult following
Too culty for its own good?
1/18, 11:30p, Library
Brief Interviews with Hideous Men
Dr Comp
CAA
5:1
Hot star John Krasinski directing, starring and adapting from David Foster Wallace novel
Adaptations are tricky, and not every sitcom star is Zach Braff. Slot after heated sales lineup weekend
1/19, 3:15p. Eccles
Dare
DrComp
xCin
7:1
Sex-charged teen romance featuring Emmy Rossum
Supporting cast (Gasteyer, Cumming, Bernhard) from many an indie stinker
1/19, 5:15p, Racquet Club
Don’t Let Me Drown
DrComp
Loeb
Loeb
20:1
Latino high schoolers in post-9/11 romantic drama
No stars, depressing premise
1/18, 12:15p, Eccles
An Education
World DrComp
CAA
4:1
60s coming-of-age romance from scribe Nick Hornby with Sarsgaard, Molina, Thompson and a breakout Mulligan
Subject matter too familiar and trite if not done right
1/18, 3p, Egyptian
Endgame
Prem
End
5:1
Good cast (Hurt, Ejiofor) in South African apartheid thriller
CNN currently chock full of other real-life political thrillers
1/18, 6:16p, Eccles
Five Minutes of Heaven
World DrComp
UTA
5:1
Liam Neeson, James Nesbitt and director of “Downfall”
Violence in Northern Ireland. Good times.
1/19, 6:30p, Egyptian
World’s Greatest Dad
Spectrum
CAA/
Cin
3:1
Robin Williams in another dark comedy from “Sleeping Dogs Lie” writer/director Bobcat Goldthwait
Williams sometimes a selling point, sometimes a liability
1/18, 5:30p, Library
The Greatest
DrComp
End/
CAA
4:1
Tearjerker with Brosnan and Sarandon called “as fine a debut as we can present”
Son dies in car accident, for those who didn’t get their fill in “Revolution Road”
1/17, 3:15p, Eccles
Helen
Spectrum
Little
5:1
Ashley Judd sinks her teeth into bipolar role
Mental illness, depression… Lifetime movie?
1/16, 8:45, Library
Humpday
DrComp
Sub
5:1
Straight best buds link for gay porn; getting great buzz
Will need great buzz to overcome no stars, and a premise not for the squeamish
1/16, 12:15p, Eccles
In The Loop
Premieres
Prot
4:1
James Gandolfini in satire of war and politics could be a sleeper hit
Small, filled with unknown Brits
1/19, 11:15a, Yarrow
The Killing Room
Mid
CAA
5:1
Psychological thriller with compelling premise and solid indie cast
Possibly just a pretentious “Saw”
1/16, 11:30a, Prospector
Mary & Max
Opening Night
Icon
20:1
Quirky Aussie claymation from Oscar-winning director good enough to attract Hoffman and Collette
Too quirky for many at the opening night screening, garnering mixed to negative reactions
1/15, 6p, Eccles
The Messenger
Premieres
UTA
7:1
Talented scribe Oren Moverman’s directing debut
Another Iraq war drama; Foster, Harrelson have spotty track records
1/19, 9:30p, Eccles
The Missing Person
Spectrum
Visit
8:1
Contemporary film noir with welcome return of Amy Ryan and breakout star Michael Shannon
Too arty for its own good?
1/16, 6p. Library
Motherhood
Premieres
End
4:1
Harried-mom comedy with Thurman, Edwards, Driver
Urban anxiety can make for anxious audiences
1/21, 9:30p, Eccles
Mystery Team
Midnight
Sub
10:1
Potential sleeper with foul-mouthed teens; could hit right chord…
…or extremely wrong one. Online trailer looks iffy; no-name cast
1/17, 11:30p, Library
Paper Heart
DrComp
UTA
4:1
Two words: Michael Cera. Possibly offbeat hit
Muted response to screener making rounds
1/17, 8p, Racquet Club
Peter & Vandy
DrComp
End
5:1
Some good buzz behind Manhattan romance with Sundance “Teeth” award-winner Weixler
Stage adaptations risk being stagey; Star Ritter must live down last year’s “Good Dick”
1/19, 8p, Racquet Club
Shrink
Premieres
WM
5:1
“In Treatment” has proven the appeal of therapy dramas
Spacey’s star power has shrunk; Hollywood inside baseball?
1/18, 11:15a, Yarrow
Toe To Toe
DrComp
WM
10:1
Complicated relationship between two female high school teammates; interracial issues a hot topic
Virtually all unknown cast; tough sell
1/16, 3:15p, Eccles
The Vicious Kind
Spectrum
ICM
10:1
Tough portrait of emotionally damaged father
See “Pros”
1/17, 8:30p, Library
The Winning Season
Cin
4:1
Female “Bad News Bears” centering on high school basketball team
Sam Rockwell films sell big at Sundance, buthaven’t performed
1/19, 8:30p, Library
Push: Based on the
novel by Sapphire
DrComp
Cin
5:1
Audacious portrait of abused girl; vivid performances by Mo’Nique and wacky supporting cast (Mariah Carey, Sherry Shepherd, Lenny Kravitz)
From the man who brought you “Shadowboxer”; could be too over the top
1/16, 8p, Racquet Club
Other Documentaries In Play
Art & Copy
Doc Comp
Sub
10:1
Ad industry study getting good word of mouth
Risks being too academic
1/16, 5:30p, Prospector
Big River Man
World Doc Comp
Salt
20:1
Slovenian man’s attempt at record swim could be Michael Phelps meets “Grizzly Man”
Drowned by competition?
1/16, 3:15p, HV4
Good Hair
Doc Comp
ICM
5:1
If every black hair magazine reader buys a ticket to producer/star Chris Rock’s comic, celeb-filled take on the topic, it’s a hit.
Interest in niche topic could be hair today, gone tomorrow
1/18, 9p, Temple
Passing Strange
Spectrum: Docu Spotlight
End
6:1
Spike Lee filmed this unconventional, Tony-nominated musical, and both names will help sell the project
Must prove worthy of life beyond PBS
1/16, 2:30p, Library
No Impact Man
Spectrum: Docu Spotlight
Cin
8:1
Family undertakes controversial experiment to live a year with no carbon footprint; could tap “An Inconvenient Truth” audience
Another inconvenient truth: many socially conscious docs have no theatrical impact
1/16, 11:30a, Library
Reporter
Doc Comp
Films
Trans
6:1
A New York Times reporter’s valiant attempt to put an African crisis on the map speaks volumes about the state of journalism today
Most political docs have had a tough boxoffice ride
1/16, 9:30P, Temple
The September Issue
Doc Comp
CAA
5:1
Rare inside look at the alleged inspiration for “The Devil Wear’s Prada,” Vogue’s Anna Wintour
Won’t be in vogue if it’s as cold as its subject
1/16, 6:30p, Rose?
We Live In Public
Doc Comp
Sub/
Cin
6:1
Stranger than fiction dot-com boom art experiment from Web entrepreneur
Must rise above Discovery Channel audience interest to sell
1/19, 6p, Temple
The Cove
Doc Comp
Sub/
WM
8:1
Fascination with dolphins may propel sale of this dark tale
Animal Planet shows wade in similar waters
1/18, 3p, Temple
When You’re Strange
Doc Comp
Sub/
Cin
4:1
Indie vet Tom DiCillo unveils all-original footage of The Doors
Video sales assured, but will it break on through to theatrical?
1/17, 9p, Temple
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon