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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Teen Wolf

Good news for all you Twilighters out there … according to Twilight Lexicon, New Moon director Chris Weitz says that Taylor Lautner will, in fact, return to play the role of wolf-boy Jacob Black in the sequel to Twilight. Well thank God for that, now I can sleep tonight.
Seriously, I think it’s a good call on the part of Summit, Weitz and book series author Stephenie Meyer (who apparently had a hand in the decision-making process, good for her) to leave Taylor in the part, even if he’s not nearly seven feet tall, which Jacob is supposed to be in New Moon. Weitz noted in this statement on Twilight Lexicon: “it was my first instinct that Taylor was, is, and should be Jacob, and that the books would be best served by the actor who is emotionally right for the part.” Couldn’t agree with him more.
Taylor was one of the better things about Twilight. He gets the part of Jacob, the girls who comprise a large chunk of the fanbase seem to like him, and he’s charming, cute, and has a gorgeous smile. What more could they want? When he was in our room’s rotation at the Twilight junket, he came across as a genuinely nice, smart, enthusiastic kid; good to see him finally move past the wretched Sharkboy, and I’m looking forward to seeing what he brings to the role in New Moon, which is a very Jacob-centric novel. Team Edward’s gonna have to take a backseat to Team Jacob for this film, but I bet a lot of those fickle teens will switch hit for New Moon.
Now, if only brisk sales of Team Jacob t-shirts at Hot Topic could stimulate the economy …

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon