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David Poland

By David Poland poland@moviecitynews.com

Klady's 4 Day Estimates… P-Daydy

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5 Responses to “Klady's 4 Day Estimates… P-Daydy”

  1. movieman says:

    While showing “The Searchers” to my class today, it suddenly hit me that January’s surprise smash “Taken” is yet another movie that takes many of its cues–narrative and otherwise–from Ford’s protean masterpiece.
    Remember how back in the ’70s “The Searchers” had a rep as “the” movie of the New Hollywood because it inspired so many directors/films (Scorsese, “Taxi Driver;” Spielberg, “Close Encounters;” Milius, “The Wind and the Lion;” Schrader, “Hardcore”)?
    Glad to know its impact is still being felt today. It is kind of shocking–and a pretty pitiful comment on contemporary film criticism–that nobody (at least nobody that I’m aware of) has made such an obvious comparison/contrast/connection.

  2. IOIOIOI says:

    They made the comparison with The Missing. I guess the change of setting through people off, but it’s a very good one to make.

  3. IOIOIOI says:

    Throw people off. I shake my fist at the lack of edit function.

  4. yancyskancy says:

    movieman: Just last week I cited The Searchers in another forum while discussing Taken. Some posters there were not thrilled by the vigilantism in Taken. And though I really like Taken, I agreed that a couple of the Neeson character’s choices are particularly extreme and would have benefited from the kind of treatment you’d find in a more thoughtful film, even one as conflicted as The Searchers. Neeson’s goal is pretty straightforward and isn’t complicated by the kind of twist that John Wayne faces when he finds Natalie Wood.

  5. jeffmcm says:

    Is it fair to say that some of the nastier stuff was edited out of the American release of Taken to bring it down to a PG13? I’m thinking in particular of a shot in the big torture scene that was in the trailer.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon