By David Poland poland@moviecitynews.com

Are there 10 Best Picture-worthy pictures a year?

Here’s the consensus top 20s from 06 – 08

2008
Critics Choices
2007
Critics Choices
2006
Critics Choices
Slumdog Millionaire
Wall-E
The Dark Knight
Milk
The Wrestler
Man on WIre
Rachel Getting Married
Happy Go Lucky
Let the Right One In
Vicky Cristina Barcelona
Doubt
The Reader
Frost/Nixon
Curious Case of Benjamin Button
Waltz with Bashir
Revolutionary Road
Frozen River
4 Wks, 3 Mos & 2 Days
In Bruges
Mongol

No Country for Old Men
Juno
There Will Be Blood
Ratatouille
Gone Baby Gone
The Diving Bell & the Butterfly
Away from Her
Michael Clayton
Sicko
No End in Sight
King of Kong
Assassination of Jesse James
I’m Not There
La vie en rose
Sweeney Todd
4 Wks, 3 Mos & 2 Days
Persepolis
The Lives of Others
Crazy Love
Eastern Promises
The Queen
The Departed
Last King of Scotland
An Inconvenient Truth
Pan’s Labrynth
Dreamgirls
United 93
Letters from Iwo Jima
Little Children
Cars
Happy Feet
Babel
Little Miss Sunshine
Children of Men
Notes on a Scandal
Borat
Blood Diamond
Volver
Deliver Us From Evil
For Your Consideration
Oscar Nominees Oscar Nominees Oscar Nominees
Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
Slumdog Millionaire
Atonement
Juno
Michael Clayton
No Country for Old Men

There Will Be Blood
Babel
The Departed
Letters from Iwo Jima
Little Miss Sunshine
The Queen
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon